Buckle up. I know the last thing you need is yet another list from herohill, but this is the list full of big hitters. Twenty records that blew me away in '09 and a few special treats for all you loyal hill-ians.

20
Band:: The Great Bloomers
Album:: Speak of Trouble
Review:: http://www.herohill.com/2009/04/reviews-great-bloomers-speak-of-trouble.htm

1) What was your best musical moment of '09?
My best musical moment of '09 was our CD release party at the Horseshoe...Although, Virgin Fest in Calgary was pretty great as well.
2) You guys exploded out of the blocks with your debut EP and were embraced by the blog scene. The follow up - your debut LP - was probably stronger but maybe less well received in terms of the blog love. Did you feel pressure to follow up with a stronger product, and looking back on the LP are you guys happy with the songs you put forward?
Absolutely. It was clearly a departure for us.. i feel like the general expectation was for us to go into the studio and make an album that sounded like i recorded it in my basement (like i did with the EP). I loved recording that way, but it was also exciting to have outside input and have more people involved in the process. I'm sure the next album will be totally different from this one as well.
3) I recently saw you guys open for The RAA in Montreal, and was really impressed by the energy the band brings on stage. Like most good bands, you recreate the songs once the adrenaline starts pumping. Which is a better experience for you, studio work and writing songs, or playing them live?
All of those experiences offer a completely different sort of satisfaction.. Writing is the root of it all and often the most rewarding part for me. Sometimes when i begin writing a song it can be so raw that i am not even certain what it's about, but as it takes shape i will realize it's meaning... and sometimes the meanings will change as i continue to write. This isn't always the case, but can be an interesting way to find out a lot about yourself. Recording is one of the toughest things to do... creating ONE definite version of a song. However, it's a great way to explore and develop a song and will often benefit the live show in the long run. Our live show is what we pride ourselves on, we all love to play music for people... i don't know how someone could tour Canada unless they truly loved performing.
4) If you had to pick one band to take your spot on the best-of list, who gets the nod?
Olenka and the Autumn Lovers are a wonderful band, also the Magic are certainly a band to watch out for.
5) It's easy to hear some of your influences when you really listen to the record, so I wonder, if you could ask one artist to cover your work, who would you pick and what song would you want to hear?
I would ask Arthur Russell to cover "Last of my faith".
6) As a young band trying to make a name for yourself in TO, what is the best thing about playing music in Toronto and what's the biggest misconception about the TO scene?
I hear lots of people talkin' about how cynical Toronto crowds are, but there is nothing quite like playing Toronto for us. I have truly loved every city i have toured through in Canada thus far, but i am always excited to come home. The best thing about being part of the Toronto scene is the support and respect you get from fellow musicians, bands, and peers. It has been nothing but heart-warming for us.
7) For anyone reading that hasn't visited TO and only has 24 hours to spend in the city, what should they do?
If you really want to have an authentic Toronto experience, you're going to want to steer clear of all the trite or "pedestrian" activities that most tourists would flock to. With that being said, I'd suggest going to the CN tower... have you seen how tall that thing is!?

MP3:: The Great Bloomers - Find My Way

19
Band:: Andrew Vincent
Album:: Rotten Pear
Review:: http://www.herohill.com/2009/06/reviews-andrew-vincent-rotten-pears.htmrew Vincent - Rotten Pear

1) What was your best musical moment of '09?
The album release show for Rotten Pear in Ottawa. My folks were there from Calgary and the crowd danced! It was really fun. And it had been so long since my last record that it was just a relief for it to finally be done. Especially since I was really happy with the result. Also, running across the Pretoria Bridge during the Ottawa half marathon with Straight Outta Compton in my headphones was pretty great too.
2) When we passed like ships in the night at Polaris, you casually used plebs in a tweet. Duly impressed, I have to ask, what's your favorite word?
I like short forms that don't really exist. For example, 'genty' (which I use to mean a street/store/hood that has gone through gentrification). Like, "It's suddenly looking pretty genty around here." Alternatively, hippogriff is a pretty cool word.
3) The one thing that always blows me away is how tight the Kelp family is. I mean, people always say "their label mates are like family" but you guys never say it and the support you give each other seems way more genuine. You all seem to enjoy the success of your peers as much as your own. So, how did you hook up with Jon and now, 5 albums deep, how important is Kelp to you as a musician?
Jon and I met in 1997 in Waterloo. We had a mutual friend who had started this weird jam band (hand drums, flute, gamelon, etc.). Jon and I had both been asked to make noise. I played tape loops on a reel to reel and Jon played shakers and did the worm. At one show I opened with a solo set of my acoustic songs and Jon said we should record an album. That was 'To Thine' which came out on cassette in 1998. Since then we've been very good friends. I feel like I've grown as a musician as Kelp has grown, and in that way it's been a good fit. I wasn't really comfortable at the start playing big shows or touring. I could hardly tune a guitar. So, the low key approach of the label let me put out music without feeling over my head. That has a lot to do with the other bands on the label as well who always seem keen to help out and make you feel like you're doing something worthwhile. The annual Kelp Anniversary shows sum up the whole attitude. Three or four shows over a weekend, in venues run by friends or places we like to go, with food cooked by friends, with friends' bands (whether or not they're on the label). You should come next year.
4) You are currently in the running for most Canadian song on CBC3. How important is that title, and how would you prove your patriotism to our loyal and dedicated Canadian readership?
I was super excited to be nominated for a Bucky. CBC3 are really the greatest supporters. I do, however, find it hard to say why one song would be more Canadian than another. Then again, my song has 'Canadian' in the title, so it should probably win on that alone. It's like the Molson Canadian of songs (although what does that say?). To prove my patriotism, I will say that I would rather win a Grammy. Now that's the Canadian Dream.
5) You can write the theme song to any TV show or Movie. What's your choice and what's the song called?
The show: Dragon's Den. The song: Arlene's the boss (She really used to be my boss).
6) Rotten Pear is kind of a return to sound for you, leaving the Pirates on shore. What do you like about the solo routine and is the more stripped down sound here to stay for AV?
I do like the stripped down sound, but I also love playing with a band like the Pirates. Playing solo, I can indulge in my wandering ways, forgetting lyrics, forgetting songs, playing with sounds or leaving space--generally not having a plan, but still thinking I know what I want. But I'm definitely looking forward to more rock in the future. I just finished a 'band' e.p. that we recorded with Andy Magoffin at the House of Miracles. It should be out early next year and hopefully a tour will follow with Jenny Omnichord on bass and Shayne Cox on drums.
7) If you had to pick one band to take your spot on the Best-of '09 list, who do you choose?
Ottawa's The White Wires. Holy crap, they write a good rock song.

So how about this extra special treat. Andrew recorded his play on the Jay Reatard track, There is No Sun, recorded on his phone on a friend's piano. Delightful.

MP3:: Andrew Vincent - I Heard There Is No Sun (Jay Reatard)

18
Band:: Carolyn Mark & NQ Arbuckle
Album:: Lets Just Stay Here
Review:: http://www.herohill.com/2009/08/reviews-carolyn-mark-nq-arbuckle-lets.htm

1) What was your best musical moment of '09?
Sharing the bill with Loudon Wainwright III at the Ukrainian Hall in Montreal. I was with my "real band"- Tolan Mcneil and Diona Davies. And they let me play the grand piano.
2) Who came up with the idea for you and NQ Arbuckle to record together and did the collaboration impact your writing process?
I did. And yes the collaboration did impact my writing process.
3) For any youngster moving into an apartment, what 5 essentials do they need in the fridge/bar/cabinents to make sure they are always ready for guests?
Cork screw, garlic bread, fuzzy water, 3 bottles of red wine and a box of mandarin oranges,
4) If you had to pick one band to take your spot on our Best-of list, who would get the nod?
Joel Plaskett. He knows what to do.
5) You are at the crossroads and you have to choose to a) never play music again or b) never play the hostess again... what do you choose?
Death.
6) You did such a great job covering songs on this last release, I wonder if you could pick one musician to cover you, who would it be and what song would you hope to hear?
Lucinda Williams doing Itchy Feet.

Carolyn didn't want our holiday parties to be wack, so she included a nice Holiday pick me up beverage to help toast the season:
Holiday Froster
In a tall glass, pour 1 shot whiskey over ice. Then, fill with equal parts: chilled peppermint tea, limeade and soda. A delicious pre-dinner pick-me-up.

17
Band:: Royal City
Album:: self-titled
Review:: http://www.herohill.com/2009/05/reviews-royal-city.htm

This record might have been a collection of b-side and rarities, but honestly they stand up today as well as they would have back then, and the influence this band had on the Canadian scene is unreal ---> see below for a perfect example.

16
Band:: Cousins
Album:: Out on Town
Review:: http://www.herohill.com/2009/08/reviews-cousins-out-on-town.htm

This was one of my favorite local releases, and Aaron really made the city take notice of his chops. Hopefully this nice preview of his new stuff will get everyone else excited.

MP3:: Cousins - Nans

15
Band:: Evening Hymns
Album:: Spirit Guides
Review:: http://www.herohill.com/2009/10/have-you-ever-been-around-group-of.htm

1) What was the best musical moment for you in '09?
Just the release of Spirit Guides was a big deal for me. I hadn’t released anything in a long time so to finish a project like that was really important to me. We started recording it on December 28th 2008 and tracked until New Year’s Eve. We had the beds all done by then and a bit more. The rest of the record was recorded over the next couple months in Toronto, all the overdubs, strings, horns, etc. so it’s a very 2009 project to me. We just had the release party for the record in Toronto last week and that was a pretty amazing moment too. We had 11 people on stage for Mtn. Song during the encore and it was the most fun I’ve ever had playing music.
2) Spirit Hymns really showcases a bigger, denser sound for you. How different was the process of recording with friends and adding layers to your songs instead of the more lo-fi styles of your previous efforts?
In the past I’ve always recorded by myself, playing everything and placing mics, and I’m starting to realize that it’s an unhealthy way for me to work. It’s great for simple demo recordings, etc. but to finally get to just play and not have to mix and record was really good for me. I was able to sit back and not be so involved in that process so I was free to think more about the music and the arrangements. I will always record on my own though. I do enjoy it when it’s relaxed and more for just me.
3) Your label - OOTS - really shows how a group of like minded artists can blossom together. How did you first get hooked up with Stuart and now that you've experimented with larger recordings, do you think you will ever return to the more intimate, loop/pedal solo style?
I think just because some people had heard some of the early mixes of Spirit Guides they were talking about them and Stuart asked me what my plans were with it. I sent him some mixes early on and he liked them. I knew Stuart already because of OOTS and because he also booked shows in Toronto and I had played one or two of them. I had talked to Taylor from Timber Timbre, who was on OOTS at the time, and he thought it would be a good fit for me too. I’m good friends with The D’Urbervilles and Forest City Lovers too and the Friends In Bellwoods compilations are really great things so it was a pretty easy decision for me to sign with them. The large recording thing is funny because I think when James and I set out to make this record it was never intended to get so huge but as we started tracking and overdubbing we kept adding more and more and in the end it got pretty colossal, at least for Evening Hymns. It has been a struggle for me because I was always a solo artist and then when the record came out I felt the need to have a larger live band in order to recreate some of that sound that exists on Spirit Guides. For the release show we had up to 11 people on stage for some songs and that was a real blast but it’s not sustainable for Evening Hymns so right now we’re trying to do something different. I’m not so interested in having a large band and I really want to figure out a way to have a smaller group yet still create similar dynamics.
4) If you had to pick one band to take your spot on our Best-of List, who gets the nod? Timber Timbre-S/T
Haunted songs from an old soul. I think the best part about this record for me is knowing that he is gonna trump it with the next one and I have no idea what it’s going to sound like. I’m really excited to see what he does next.
5) What made you pick up and move from Peterborough to Toronto (note, if this is not true, and you are still splitting time and based in Peterborough, just ignore it), and what's been the most pleasant surprise about playing music in Canada's biggest city?
Peterborough is an amazing city but it just seemed like I had to move to Toronto. I was here so much already finishing the record, and my partner is here, and all of my friends live within a 10 minute walk now. I felt like Toronto has always been my music community anyways so it was a pretty easy transition. I think the nicest thing about being here though is how much more you get to participate in being in the city. I think you just become more visible. You’re running into more people more often and it just makes the whole music scene much smaller. Being surrounded by all these people doing great things just inspires and pushes me to work harder at what I do.
6) The dichotomy of city vs town is such a contrast and I would imagine it to be a fantastic creative trigger... do you prefer to write outside in the openness and freedom or amongst the chaos and traffic of the city?
That’s a good question. Obviously my work is heavily inspired by the natural world. I do get a lot of inspiration from walking around and I think you can live a decent life in the city while your head is in the country, so to speak. I guess it’s too soon to tell if my urban life now is going to work it’s way into my music. I’m sure it will. My heart is still very much attached to the woods though, the pace and quiet are good for me. For now though Toronto is a great place for me. I like how fast the city moves. It’s constantly engaging. But the first chance I get to buy property and build in the woods I’m out of here. No offense to Toronto.
7) The release of Spirit Guides has been incredibly well received, both in print and online. Considering the limited exposure some of your previous releases received, are you at all surprised by the reaction and does it put any pressure on you for your next record?
It has been more surprising to me then anyone I’m sure. I feel really grateful and amazed! I hope more people get to hear the record because of all the press and what not. I’m really proud of it. I’m already working on a new record, at least in my head I am. I don’t really feel any pressure working on it because I know it’s going to be whatever it ends up being. In my head it’ll be better then Spirit Guides. I wouldn’t release anything that I thought was worse, or less interesting, then my last record. Whether or not people like it as much as Spirit Guides, well I guess that’s up to them. I am making music for myself, I’m just happy that people seem to like it too.

And Jonas made us happy... by sending over a terrific cover of the heartbreaking Tree Rings track, Please Don't Wreck Me Like You Do, and a super early, very different demo of Tumultuous Sea.

MP3:: Evening Hymns - Tumultuous Sea (demo)

MP3:: Evening Hymns - Please Don't Wreck Me Like You Do (Tree Rings cover)

14
Band:: The Wooden Sky
Album:: If I Don't Come Home You'll Know I'm Gone
Review:: http://www.herohill.com/2009/07/reviews-wooden-sky-if-i-dont-come-home.htm

1) What was your best musical moment of '09?
I think my favourite musical moment was recording our new record in Montreal. We had been in the studio for about a week when a carload of close friends drove up from Toronto to hang out with us at the studio. It was a really special week-end and I think it really shaped the sound and feel of the rest of the recording session.
2) Without dwelling on the name change and the history of the band, you've been making steady climbs with each record and I really feel this effort blew any expectations I had out of the water. How long were you working on these songs and without feeling like you have to blow your own your, how proud are you of the final songs on If I Don’t Come Home You’ll Know I’m Gone?
I'm constantly working and reworking my songs, so some of the songs on the record had been around for 2 years (since the last record) while others had been written only weeks before hand. I think I'm drawn to those newer songs on the record because they still feel fresh to me, and I always like to record songs when they are still really new and exciting to play. Sometimes however that can backfire because as you start to play the songs live they can take on a new energy or feeling. I think we did a good job of walking the line between creating something that has a live element to it while also taking careful steps to orchestrate the songs without melodies or parts stepping on one another.
3) People outside of Toronto often think of the city as a cold, hard city but you and the rest of the Bellwoods crew have really formed a warm collective that could exist in any city. How did you first get hooked up with the rest of those terrific bands, and what is your favorite part about playing music in TO?
The idea of a "Bellwoods crew" was never a real conscious idea, and despite all the mentions of it in articles it still is a very natural and organic thing. We are friends with similar interests who love and support what one another do. I love the idea that if I'm asked to name some of my favourite records from 2009 more then half of them are my friends, it's exciting and motivating. The friends I've made through music and playing in Toronto is definitely my favourite part of playing here. It's been a really great year for a lot of my friends and I'm so proud of them for the great work that they do.
4) If you had to pick another band to take your spot on our Best-of list, who would get the nod?
Evening Hymns
5) You guys are coming to Halifax in the new year... what can us good Haligonians expect and will you or will you not eat a donair?
Well seeing as it's going to be January, probably a lot of winter coats and long johns...maybe even some sorels. One thing I love about our band is that it's a very flexible machine so I can't really say exactly what you might be able to expect come January. We've been talking about bringing some friends out on the road with us, so that would change things a bit too. As for the donair, I'll have to make a game time decision on that one.
6) TWS seems to have embraced the power of the internet and even offered up a fantastic multi-segmented documentary for any interested fan to watch. How important do you think the internet is to building a cross-country fan base and how has it helped you with this record release?
The internet has been pretty important in promoting our new record, it's an easy way to reach people. The documentary was our attempt at not just waving a flag saying "look at our band, look at our band" but to actually work hard and create something new that could be a companion piece to the record.
Q7) Every band has a few covers in their bag, but it's not often you get to hear a band cover your work. If you could pick any artist to cover any of your songs, who would you want and what track?
I'd love to here Tom Petty cover "Leave a Light On", it's a song that we recorded during the sessions for If don't come home you'll know I'm gone and I think it would be amazing to hear him sing it. Either that or maybe to get Bruce Springsteen to cover Oslo.

MP3:: The Wooden Sky - I Am a Raw Youth (Royal City cover)

13
Band:: Reverie Sound Revue
Album:: self-titled
Review:: http://www.herohill.com/2009/07/reviews-reverie-sound-revue.htm

I was completely blown away by this pop gem. I didn't expect to fall quite so hard for Lisa Lobsingers sexy coo, but goodness this LP hit on all cylinders. Quite honestly, whenever I need a pick me up I throw on Arrows and just start feeling better.

12
Band:: Bahamas
Album:: Pink Strat
Review:: http://www.herohill.com/2009/06/reviews-bahamas-pink-strat.htm

Afie stepped out from the shadows with this tribute to the one thing he's loved that always loves him back. The record is a terrific collection of I'm so broke I ain't worth loving kind of heartache, but Afie handles the genre with an amazing understanding of subtlety, charisma and humor. He's also playing Halifax for IDOW, opening for someone named John K. something or other?

11
Band:: The Lodge
Album:: Take That Devil
Review:: http://www.herohill.com/2009/03/reviews-lodge-take-that-devil.htm

I know we gushed about them in our local release section, but honestly, this effort is staggering from top to bottom. It's heavy, energetic, shows terrific musicianship and O'Neil is still such a unique vocal presence that you can't ignore the tracks. Plus, he wears a sleep mask like Michael Scott.

MP3:: The Lodge - Outdoor Miner (Wire cover)

Tomorrow - The TOP 10! With some extra special gems, including one of Canada's most popular artists offering up a Smiths cover.

Labels: Andrew Vincent, Bahamas, Best-of '09, Carolyn Mark, Cousins, Evening Hymns, Reverie Sound Revue, Royal City, The Great Bloomers, The Lodge, The Wooden Sky

More and more Canadian EPs. We are stoked that so many of the bands we love offered up their time for this project, whether it was recording a track in a room full of friends or delivering an absolutely crushing cover of one of the best Canadian songs of the year... well, you get the idea that this list is full of goodness.

Band:: Wilderness of Manitoba
Album:: Hymns of Love & Spirits
Web:: http://www.myspace.com/thewildernessofmanitoba
Review:: http://www.herohill.com/2009/09/reviews-wilderness-of-manitoba-hymns-of.htm

Q1) Musically, what was the most important moment for you in '09?
Sc: We've played some amazing shows, but for me it was having a live version of 'Evening' chosen as track of the day on cbc radio3 that made us all realize that we were really onto something special, and it helped drive us to finish the record, and gave us the confidence to play some really amazing shows with some amazing bands.
M: Opening for the RAA CD release at the Horseshoe back in July was pretty great. That's something that seemed to open a lot of ears to our music and it pretty much coincided with our EP release so it was really the first time people could get our music and take it home with them.
Q2) Given the circumstances and inspiration that led to the recording of this EP, how hard was it for you to put something so personal into the public eye for critique?
W - I think that when songs are written from personal experiences, they are in some ways easier to perform because you're never far away from the subject matter. This can result in a more honest performance
Sc: We really believed in what we were doing, and that confidence took us a long way. We're flattered to be mentioned along-side the rest of this list, but we also never expected the EP to go as far as it has. I think the personal nature of the record made it easier in some ways to put out there, I mean, we're just being honest with ourselves, and if you like it, or you don't, it doesn't change the place where it came from.
Q3) How hard is it to separate the success and emotion of this project from your other musical projects?
Sc: Every band has a different energy, and its really nice to be able to focus on different projects from time to time. I've found that sometimes if you love something too much and put all of your energy into it all of the time you end up killing it with smothered kisses. It's nice to walk away from something and towards something else from time to time. Music is all about learning and the process for me.
M: For me, not that hard, but I haven't really written that much for the band yet so I'm not sure how much doing that will affect more personal writing. It doesn't feel like I'm shifting focus from my other project entirely, it's just that I love what we're doing and believe in it so much that I naturally focus on this.
St: It was pretty easy at the start. I've been used to playing in bands and sitting in with people and this was just another one of those opportunities. It sort of took me by surprise when we started getting attention - it means that there's more responsibility on the business side of things, but creatively it doesn't really change things. I still write stuff for myself, some of it just ends up in this project and some of it elsewhere.
Q4) If you had to pick one band to take your spot on our Best-of List, who would get the nod?
Sc: I would say Timber Timbre, although I'm sure that would actually make his position on this list worse than it already is. That album got a lot of play in my dark bedroom.
M: Ahhh... that's so hard. There are so many deserving bands but my heart tells me to go with Olenka and the Autumn Lovers. I love their energy, their arrangements and, well, I just love them.
Q5) People often view Toronto as a hipster melting point for musicians. What's the biggest misconception about the TO scene in your opinion, and what's your favorite thing about playing music in TO?
M: There is something about being in a city with a huge music scene that can be daunting but I find that it has been really supportive, more so than we expected with our sound. The best thing about playing here? Feeling that support at our shows from our friends and fellow musicians.
St: Like anywhere else, people tend to latch onto what's "hot" or getting attention in the weeklies. The main difference though is that so many of the people going to see shows are musicians themselves - and they're really supportive people whether they're your friends in other local bands, or in bands that have toured the world.
Q5) Looking forward to 2010, what can fans of the band expect from The Wilderness of Manitoba?
Sc: A new record - it will be our first full length. No name for it yet, but the songs are written and are being recorded right now in much the same fashion as the EP was. Touring! A trip to the UK to play the End of the Road Festival and more touring! 2010 will be a fun year.
M: What Scott said and maybe some other special releases!

Now, if you have read herohill all year, you know I love Timber Timbre and politic-ed hard for Taylor to make the short-list, so the simple fact that W o M took the time to record a herohill-only cover of Demon Host is one of the best surprises we could have asked for this year. Apparently, this is the only place they are going to make it available - well, except for any other blog that just d/l-eds it and posts it themselves. Throw in the fact it's terrific, and well, now we all win.

MP3:: Wilderness of Manitoba - Demon Host (Timber Timbre)

Band:: Basket of Figs
Album:: Oh Eye, Oh Night
Web:: http://www.myspace.com/basketoffigs
Review:: http://www.herohill.com/2009/04/reviews-basket-of-figs-oh-eye-oh-night.htm

Talk about an embarrassment of riches here. Not many lists would have a Tom Waits cover thrown to them as an after thought, but this little gem - Shiver Me Timbers - was recorded around the same time as the EP and has yet to see the light of day. Enjoy!

MP3:: Basket of Figs - Shiver Me Timbers (Tom Waits)

Band:: The Gertrudes
Album:: Hard Water
Web:: http://www.myspace.com/theothergertrudes
Review:: http://www.herohill.com/2009/07/reviews-gertrudes-hard-water.htm

1) What was your best musical moment of '09?
An illicit midnight recording session in a condemned church (technically that was '08, but within a few days of the end of the year). Two live tracks from that session are on our 'Hard Water' EP, and one more has found its way to your esteemed website. A video by Lenny Epstein is out there too, of the song 'Hard Water' as we recorded it. Yeah, feeling like naughty high-school students sneaking into a church to record a 10 piece band to record live off the floor, nailing the version of New Sound that ended up on Hard Water, and getting out without getting in trouble! I'd say ripping into Cliff Jumping at Sappy Fest with fueled by the adrenaline resulting from the fact that 10 minutes earlier we were almost resolved to having to miss our set as half the band got lost and then swooped in at the last possible second! If i could count the entirety of our east coast tour as a single moment, that would be it. Playing all night long at the OCFF in a tiny room with the entire band crammed in a corner, rocking our socks off and sweating like fiends, oh yeah, and Bob Wiseman joining our ranks for some sweet accordion madness at 3:30am. Streaking the Wolfe Island Music Fest to jump into Lake Ontario before our second set. I think that was our loudest applause ever. Not to mention a couple of us joining RPC (along with members of Feuermusik) for RPC's SappyFest set... that was really fun.
2) In an era where it is hard enough to tour as a compact unit, how hard is it to plan even a one off show when every member of the band is so important to the end result?
I think we all feel The Gertrudes is a bit of a special thing so we're taking care to make time for it. There are enough of us that we can cover for each other, so even if someone can't make a show or a tour, we can manage quite well although it always changes the dynamic in interesting ways. Ideally we'll bring families along and make a party of it. There were 22 of us on our east coast tour this summer, including the kids. It takes a lot of advance planning on everyone's part... especially Greg's. Also the extended Gertrudes family has been extremely supportive. The memory of sprinting from our van with trailing patch chords and cables, doors left wide open, just in time to get on stage for our SappyFest performance, suggests we still have some work to do with Gertrude time management. But what other 11 piece band travels with their complete families? We topped The Burning Hell on that one, they thought they had us beat for sheer numbers on the road to SappyFest... but we recruited a few extra singers/percussionists/bass player/baby to bump our numbers up. But seriously, it's a lot of work. And a lot of love of this Gertrudey thing that gets us from place to place... and the permission of our amazing families to do what we love.
3) I'm really intrigued by the writing process of the band. Do the songs start as old timey numbers or simple picked riffs that gradually get transformed when every band member adds their part or is the end goal more clear throughout the entire process?
Either/both, depending on the song. We work hard on arrangements. A lot of our rehearsal time is just talking through the possibilities. Songs start pretty well-formed by one individual but get worked over a lot. "Advancement of the Human Age" is one example, where the second half of the song was a bit of a surprise to us all. Sometimes the songwriter has a clear vision, other times they just bring a sketch and we colour it in together. We record all our practices and listen back to them... That has been an invaluable tool in getting all the sounds to find their place in the blend. Sometimes Jason adds musical theatre components... which we'd like to expand upon. We have awesome conversations about our musical visions... something which is almost impossible to articulate. And then someone will try and play that thing on their instrument, which doesn't sound anything like what the person was trying to describe, but then is somehow more awesome in it's inaccuracy. And then someone else will try to describe what they were hearing in their head and we continue from there adding layer upon layer of beautiful misunderstanding.
4) If you had to pick one band to take your spot on our best-of list, who would get the nod?
I am enamoured of Eric Chenaux, Ryan Driver, Doug Tielli and others on the Rat-drifting label out of Toronto. Tom Savage Trio: The County Line (and yes, also Bruce Peninsula!). I would pick Hollerado cause they know how to party, but a lot of great music happened this year! We all have a big love for Bruce Peinsula - playing their year end show in TO at The Music Gallery was a huge treat for us! Wait, did you say one band? One each right? No? Nuts.
5) What's next for the Gertrudes? Can we expect a new EP or new LP in 2010? - Note, I hope the answer is yes.
A full-length release is on the way! But before that, we will have a 7" vinyl release in collaboration with PS I Love You, Bruce Peninsula, and Muskox. We'd like to make a video out on frozen Lake Ontario, featuring the sky. Looking forward to many more collaborations and teaming ups... Gertrudes brand jam.
6) When most people think of Kingston, they think Queen's and prisons, not music. So for all of the people that don't get to see the city, what's the best thing about playing music in Kingston, and if someone only had 24 hours to spend in K-town, how should they spend their day?
Kingston for the past few years has been experiencing a bit of a musical explosion, thanks to organizers like Apple Crisp, Skeleton Park Music Festival and Modern Fuel Artist-Run Center. Come in the summer, have a swim with us in Lake Ontario off of the Water Treatment Center dock, then check out what music may be on at the Mansion, the Grad Club, the Artel, or... I really love all the different music venues that all have their own charm - everything from tiny bars to living rooms to old old cavernous churches... we've had the great fortune of getting to play in all of the above. Take some university students on a trip to the prison...or vice versa... Breakfast at The Sleepless Goat, free ferry ride to Wolfe Island, walkaround or go to Big Sandy Bay, snack at the Wolfe Island Bakery, swim/skate back, lunch at The Right Spot (breakfast part 2), sneak into a church and play the piano for an hour or so, dinner at Annie's house, find some live music or make your own, stay up all night roof hopping...? Wait, that's starting to sound like high school all over again.

Catfish John is probably most well known by Dead Heads, courtesy of Jerry covering the song, but I was always partial to the Alison Krauss version. Now, I have a new favorite - this high quality live version from The Gertrudes! (email me if you are a super audio nerd and need the FLAC version).

MP3:: The Gertrudes - Catfish John

Band:: The Mountains & The Trees
Album:: Hop, Skip & A Jump
Web:: http://www.myspace.com/themountainsandthetrees
Review:: http://www.herohill.com/2009/09/tuesday-mailbag-mountain-trees-vivek.htm

Wow, you’re not pulling any punches with this questionnaire are you? I mean, this has to be the hardest question to answer first. So many things… the release of “Hop, Skip, & A Jump,” playing NXNE and TIFF, a live CBC concert and #3 on the CBC Radio 3 Top 30, etc, etc… Well, alright, if I had to pick, I would have to say opening-up for Billy Bragg in St. John’s and Halifax. It wasn’t even necessarily playing the show, but hanging out with Billy afterwards – now THAT was amazing.
Well, if it was a day like today, I would bring them to the airport and put them on a plane to the Bahamas (or to see Bahamas, whichever they’d find warmer), haha. Seriously though, walking up and down Water St and Duckworth St would be a significant part of it. There are so many great shops for coffee, music, clothing, etc. If you’re in a touristy mood, Signal Hill is a nice place to visit. If you’ve got some wheels, you can head-out to Cape Spear, the most Eastern part of North America. There’s always live music going on somewhere in the city. Really though, my favorite place to bring people is Middle Cove beach. It’s just a little ways outside of town (so a car is required), but it’s just such a beautiful place, for me anyways. I grew-up only 5 minutes away from a beach and I often go out to Middle Cove beach just to relax, think, write, and take photos. I’ve been there at every conceivable hour of the day and night and it would be my number one recommendation of somewhere to visit when in st. John’s. One funny note about this question – I’m not from St. John’s myself, so maybe my viewpoint is a bit off. Just sayin’.There are SOOOO many musicians/bands in St. John’s – that’s what makes it great. There are a ton of places to play and almost every night of the week, music is happening somewhere. On the larger scale of Newfoundland, there are some great festivals happening around the province. We played a festival in Gros Morne last year called Trails, Tales, & Tunes and it remains one of my favorite shows thanks to the audience. There’s also Writers at Woody Point, which has featured artists like Amelia Curran, Duane Andrews, and Kathleen Edwards. That also takes place on the West coast.
They both have bonuses. I like band shows because I like playing with other musicians. My “band” is called the Valleys & Seas Orchestra and features members playing guitar, organ, drums, bass, cello, violin, euphonium, flugelhorn, tuba, flute, accordion, etc. I draw upon the resources of the local music school a lot, haha! We were even invited to participate in a private concert due to the “orchestral sound” of the full group. On the other side of the coin, solo shows are great because they really make me focus. I’m really shy on stage and when it’s just me up there (like at the Rebecca Cohn), I’d better be on my game or else. They also allow some freedom with arranging on the fly. I might decide to talk about the song in the middle of it and just repeat a verse underneath. When it’s just me, I can do that without rehearsing.
Q5) What's next for you musically?
Haha, can I say Bird & Bear? Ok, ok, that would be cheap, so if I had to pick somebody else for the best of EP list of ’09, I’d have to say Dan Mangan – Roboteering. Do I really need to explain why I’d be happy for Mr. Mangan to replace me on any list? Likely not. Also, would Timbre Timber count as an EP? That would also be good. I check the date and it’s a little outside, but I really enjoyed Library Voices – Hunting Ghosts. I bought it for the artwork (which I sometimes do) and it just struck me as a really enjoyable EP to pop in, especially for road-trips.
So after that essay, how about some god damn music! Here's a sneak peak at some upcoming material, a version of More & More & More recorded in a room full of people just to make herohill feel like part of the gang.

MP3:: The Mountain & The Trees - More & More & More

AND THE BIG REVEAL! Who's NUMBER 1?
Band:: Zeus
Album:: Sounds Like
Web:: http://www.myspace.com/themusicofzeus
Review:: http://www.herohill.com/2009/06/carlin-nicholson-and-mike-obrien-have.htm

Bottom line... this EP knocked me on my ass and their live show proved that Zeus is an unstoppable force. When their new LP drops next year, accolades will follow.

Starting Monday we have our LP countdown, including some extra special gems. So come on back now, ya'hear.

Labels: Basket of Figs, Best-of '09, EP, The Gertrudes, The Mountain and The Trees, Wilderness of Manitoba, Zeus

Band:: Outdoor Miners
Album:: self-titled
Web:: http://www.myspace.com/outdoorminers
Review:: http://www.herohill.com/2009/11/quick-hitters-outdoor-miners-release-7.htm

Q1) What was the band's best musical moment of '09?
Alec had to have surgery that had a much longer recovery time than originally expected, so we had to cancel all sorts of shit that we were looking forward to. When we were finally able to get back at it, we wrote a bunch of new songs that are probably our best yet (At least we think so). The door at our 7" release party sold out....that felt really good as well...
Q2) As a young band, I'm excited you opted to release a 7" instead of rushing out a sloppy EP or LP. Was that your decision or the labels?
It was our decision initially, but the label fully supported it. We knew we wanted the natural grainy sound of vinyl, and we were pretty sure that everyone else wanted it as well. Releasing a 7" just feels good.
Q3) Speaking of the label, Pop Echo seems to be a terrific springboard for young AB bands. How did you get hooked up with them, and will another release be in the cards soon?
The Pop Echo guys have helped us immensely. They saw us play and really liked it, a couple of weeks later they asked if we were interested in working with them. We love those guys and will continue to work with them for as long as possible. We're going into the studio with Nik Kozub over the Christmas holidays to record our next 7", which is tentatively planned for an early summer release.
Q4) If you had to pick one band to take your spot on the '09 best-of list, who gets the nod?
Its a tie between Grown-ups from Calgary, and Peace from Vancouver. Both of those bands are awesome and super fun to play with.
Q5) Edmonton has really been killing it lately. What's the best part of playing music in Edmonton, and if one of our readers had only 24 hours to spend in the city, what would you suggest they do?
Things are pretty good in Edmonton right now (other than this crazy weather): Aaron Levin (weird canada) has been putting on a ton of awesome shows with really cool bands, there's a perfect new venue, and Hong Kong bakery is still dirt cheap. 24 hours in Edmonton? Go to Chinatown and eat a bunch of vietnamese subs, and then head straight over to WEM and ride the mind bender 200 times. Duh.
Q6) This isn't even really a question you can probably answer, but what are the chances you could write a song about Jari Kurri and his awesome old skool Jofa helmet?
Between high and extremely high.


Band:: Milks & Rectangles
Album:: Civic Virtues
Web:: http://www.myspace.com/milksandrectangles
Review:: http://www.herohill.com/2009/09/quick-hitters-milks-rectangles-civic.htm

The one problem with picking a young band is that they don't have covers and b-sides just lying around. But they do a DVD inspired outtakes reel for you to enjoy. As funny as hearing them stumble over lyrics is, Milks & Rectangles added a much needed, UK stadium rock vibe to the Canadian indie mix - in fact, "if you told me this EP was from a group of seasoned vets playing over seas, I wouldn't blink an eye." Well done lads.

MP3:: Milks & Rectangles - Outtakes

Band:: The Prospector's Union
Album:: Syracuse
Web:: http://www.myspace.com/theprospectorsunion
Review:: http://www.herohill.com/2009/07/herohill-music-nova-scotia-artist-of.htm

Q1) What was your best musical moment of '09?
Hearing the York Redoubt record for the first time. Chad Peck put it best when he said, it's 'make you wanna sell your guitar' good.
Q2) You kind of cobbled together a Halifax globetrotters to act as your backing band - I think at one point I saw Ledwell playing on a ladder and spinning a basketball on his finger - so how hard is it to get the band together to practice and learn new songs, or is the spontaneity something that helps The Prospector's Union keep moving?
Yeah, for every show we play it usually comes out of one or two practices. I think that helps keep the excitement level up...that and Dan always teaching us new finger spin tricks. It's a pretty painful process hauling everyone into one room at one time, but it always eventually comes together...eventually.
Q3) It seems the whole world is moving to roots and alt. country. Everyone wants a cowboy shirt and some lap steel in their songs, but the purity and appreciation of your music really shows that this is more than you tapping into the hot sound. So, for fans new to roots, who is your biggest influence, and who's someone that is writing songs today that will stand the test of time?
Well thank you. I'm generally not a fan of 'alt-country.' I have issues with any music that is created as a genre exercise. "See! Just like Hank Williams! Get it??" That said, their is something at the core of country and country influenced music that has always felt right to me. Writing-wise, I found that's a big part of the balance with the genre. I listen to a lot of old folk, the Harry Smith Project and such (I actually just got a record by Nimrod Workman called I Want To Go Where Things Are Beautiful that is amazing), and I think the themes and mood of that have influenced me a lot. I try and keep it to that though. No one wants to hear some pasty East Coaster with a Macbook singing dust bowl laments. For modern writers, I'm a big J. Tillman fan. I think Old Man Luedecke is brilliant as well. For just a straight up cool mood, A.A. Bondy is really doing it for me right now.
Q4) What's next for PU? Maybe a full length in 2010?
That's the talk. We'd really like to work with Dale Murray on something.
Q5) If you had to pick one band to take your place on our Best-of list, who would you pick?
Hmm, I haven't seen the entire list. Any Dog Day record that isn't up there should take our place. Seth has a solo record coming out that is pretty amazing as well, it might not make it in time for deadline though.
Q6) Tomorrow you get a call from the people at The Mighty Boosh. They want you to write a song about any character you want. Who do you pick, and what's the song called?
The Hitcher - Talkin' Cockney Urine Blues

MP3:: The Prospector's Union ft. Melanie Stone- Astro Zombies (Misfits cover)

Band:: Almonds, Cohen
Album:: Amazing Grass
Web:: http://www.myspace.com/almondsgoing
Review:: http://www.herohill.com/2009/05/quick-hitters-almonds-cohen-amazing.htm

1) What was your best musical moment of '09?
The first night after arriving in Toronto in July I played a solo show opening for The Wooden Sky on their rooftop at Queen and Ossington to a really awesome bunch of strangers. When the Wooden Sky played it started to pour and we held umbrellas and shirts and pieces of paper over their heads and amps while they continued playing, and it was so much fun that I didn’t even think about us possibly getting hit by lightning. Then the whole show moved down into the tiny living room and turned it into a sweat cave.
2) You have moved from a more solo based routine to a full band lineup. how hard was it to transform the songs, and what do you like better about the current state of Almonds, Cohen?
Transforming them is the most fun. I like to take the idea of playing the recorded songs live with other people as an opportunity to re-imagine them. Maybe finally add an interlude that I had intended to for the recorded version but forgot. Or have Emma sing the verses instead of me, or a violin play the guitar melody. I think the recording of a song should remain as it stands – I’m against re-recording songs, unless the newer version is fundamentally different – but the live version should be ever-changing, depending on who’s playing in the band each time. I’m just really happy to be playing with such good people. And Emma! I don’t ever want to do a show without Emma now. I can’t really imagine Almonds without Emma. That may be why I’m hesitant to play shows in Toronto. No Emma.
3) Location often influences the sounds and subject matter we write about. You've moved halfway across the country this year and have spent time on both coasts. how has life in a big metropolis affected your song writing?
Immediately after getting here I wrote a song called “T.T.C.” about getting here. That’s the Toronto Transit Commission. I don’t know if I’ll ever play it to anyone, but I hum it to myself sometimes. Aside from that, the songs I’m writing now could have, and would have, been written anywhere. Being relatively shy to this new city and not playing any concerts has allowed me the time to write a whole lot more, and more carefully, more thoughtfully. So I guess that’s a discernible way the city has influenced my songwriting. But I’m not planning a concept album on Toronto. I believe that would be a very sucky idea for an album.
4) If you had to pick one band to take your spot on our best-of list, who would get the nod?
My Friend Wallis. That’s Crystal from Vincat, her solo project. It’s bliss.
5) Settling into a new scene is often a challenge. What was the hardest thing for you about moving, and what was the biggest misconception you had about being a musician in Toronto?
Moving away from Victoria was the hardest part about moving to Toronto. But I’m not pinned down anywhere, which is good. I think I’ll go back to Victoria in the summer. Or maybe to Halifax. I can go anywhere! Misconception-wise, I’ll just say that I thought no one would listen in Toronto.
6) Have you adjusted to not being on the ocean???????
No! I’m dying as a result! Once out of desperation I went swimming in Lake Ontario and it was heartbreaking.
7) What's next for Almonds, Cohen? Can we expect new songs in 2010?
New songs forever. Toronto shows. Maybe an east coast tour. Huge album mid- or late-2010. Working title: Jenga Ritual!

So if reading about the "band's" transition from singular vision to full fledged band didn't intrigue you, I would hope this fleshed out version of Diggin' For Clams would.

MP3:: Almonds, Cohen - Diggin' for Clams (live, full band)

Band:: Dark Mean
Album:: Frankencottage
Web:: http://darkmean.com/
Review:: http://www.herohill.com/2009/04/reviews-dark-mean-frankencottage.htm

Q1) What was your best musical moment of '09?
2009 was an exciting year for us, but I have to say my favorite moment came when we finished China and got to listen to the Frankencottage EP from start to finish for the first time. Before that night we spent probably 2 days mixing China only to reach a dead end. None of us were feeling the direction of the tune so Mike (our producer) erased the board and we started again from scratch. After a little break we brought up the piano and vocals on their own and found a new perspective on the song... and within an hour the song was done and we realized we had our first EP.
Q2) You made a decision to give your record away for the low low price of free. Looking back, do you think that was the right call and what was the biggest reward of giving everyone a chance to hear your music?
I think it was the right call for us. When you’re a new band you have to find ways to become known before you can make money. We went from total obscurity to having over 70 reviews and blog posts written about us in a matter of months... some in languages we can't read. That was the biggest reward for sure. We asked people for their email address in exchange for the free download. But we actually haven't sent out a single email to anyone on our list. No one likes those annoying mass emails, but we're thinking once the next EP is ready (very soon), we'll send out a quick email letting people know where they can get it.
Q3) When I first heard your EP, I was super impressed by the unique collage of elements you used to forge your sound. How did the songs originate and how much did they evolve to get to that final product?
I think most of our ideas have come out of jam sessions in Billy's garage. Over time we accumulated quite a range of instruments in there so I guess when you notice a banjo sitting in the corner, you eventually pick it up. Then we were asked to write and perform the soundtrack to a local play and this gave us a reason to turn our ideas into actual songs. Once we began recording at Vibewrangler Studio, the songs really evolved. Our producers Mike and Glen gave us the freedom and guidance to create something a lot bigger than what we had in the beginning. They deserve a lot of credit for the sounds that you hear when you listen to the EP, not to mention the guest musicians that appear on the EP. Hamilton has such a supportive community of talented musicians and we were lucky to have access to just about any instrument we wanted to have on the record.
Q4) What's next for Dark Mean?
We’re planning to release the next EP, Music Box, in January and soon after get started on the final songs that will make up our full length. We hope to have the full album ready by late spring so we can spend the summer touring and promoting it. We're all really stoked about the upcoming year.
Q5) If you had to pick one band to take your place on our Best-of list, who would take your spot?
I would choose The Rest, they're another awesome Hamilton band. Keep an eye out for Wildlife too. They’re just finishing their first record at Vibewrangler and I’ve loved everything I’ve heard so far.
Q6) Hamilton has a shockingly dedicated scene. What's the best thing about playing music in the Hammer, and if people only had one day to spend in your city, what would you tell them to do with their 24 hours?
The best thing about playing music in the Hammer is the fact that there are so many enthusiastic musicians and artists to collaborate with, play with, and learn from. The ultimate day in Steeltown would start with a bagel and coffee at Locke Street Bakery (not starbucks), followed by stroll through town to visit some of the cool shops and art galleries, I’d say grab lunch on a patio in Hess Village, take a well deserved nap (hopefully with someone else), then maybe go for a hike by Webster’s Falls, then head over to Vibewrangler Studio to hang with us, have a few drinks, and join us while we play catch with an aerobie in Gage Park.

As a special treat, Dark Mean has decided to premier the first offering from their 2010 EP here on herohill. Strings, acoustic, energy, group vocals - that's the type of Music Box I can get behind.

MP3:: Dark Mean - Music Box

Labels: Almonds Cohen, Best-of '09, Dark Mean, EP, Milks and Rectangles, Outdoor Miners, Prospectors Union

So, obviously you were on the edge of your seat wondering what 5 releases could possibly top the quality we hit you with yesterday. Well, fear not my friends. Here's the cream of the Hali crop for you to enjoy.

As a special treat, while you digest these gems you can think about some of the fantastic stuff due out next year and start saving cash for new records from DUZHEKNEW, Jon Mckiel, Old Man Luedecke and many more.

Band:: The Sorrys
Album:: Neanderthal Cell Phone
Web:: http://www.myspace.com/thesorrys
Review:: http://www.herohill.com/2009/10/reviews-sorrys-neanderthal-cell-phone.htm

Q1) What was the best musical moment for The Sorrys this year?
Jim - Passion Prince. It’s 2 minutes shorter than Kashmir.
Trevor - Jim’s solo on “Passion Prince.” It’s actually a minute and thirty-seven seconds.
Q2) As a music fan on the other side of 30, I find the music you guys make very refreshing. Not only does it make me want to get up and move, it takes the position that the best days aren't still behind us. You guys all have day jobs and have settled into "real" life but keep on rocking. What keeps you writing and playing shows?
Jim - It’s our church. I can’t help but psychologize, and say that like many other human endeavors (e.g., religion) it’s essentially about staving off the fear of death (but in a fun way!)
Trevor - We feel a deep sense of responsibility for not letting our immense gifts and unrivaled talent lie fallow.
Q3) If The Sorrys had to pick a drink that summed up their music, what would we all be drinking at the show?
Jim - Ten-Penny.
Trevor - Weer.
Q4) If you could offer your spot on the Best-of List to any band, who would get the nod?
Jim - Doug Mason
Trevor - Fuck that. What if you agreed with me? Then we’re fucked.
Q5) Most of Halifax agrees that a Sorrys show is one not to miss. That being said, covers are a huge part of the live experience. If you had the chance to hear any band cover a Sorrys song, what band and what song?
Jim - Ronnie James Dio doing Achievement Races
Trevor - That’s so true about Halifax. I do appreciate the kind words though. I’d have to say Celine Dion doing “Restaurant.” There’s something about her genuine lack of artifice and inherent earthiness. I think she’d bring the song to life without risk of it coming off overwrought.
Q6) For any of our readers that have never been to Halifax and might potentially end up here for a few days, what are the three "must-do" things you would recommend fill their itinerary?
Jim - Take the ferry. Go to Agricola Street.Have some good Middle Eastern food.
Trevor - Gap, McDonalds and Future Shop. Try to hit all three. But definitely Future Shop.

As a special treat, here are a couple of unmixed demos from the upcoming Sorrys release. They sound awesome and haven't even been mixed folk, so ah... yeah, 2010 = year of The Sorrys.

MP3:: The Sorrys - Sitting Duck (demo)

MP3:: The Sorrys - Passion Prince (demo)

Labels: Best-of '09, Cousins, Halifax, Joel Plaskett, Music, The Lodge, The Sorrys, York Redoubt

Yes, you read that right. It's not a Best-of list because if herohill has proved anything in our six or seven years of existence, it's that we don't often sync up with the masses and despite our great efforts, not many people really gravitate towards Canadian content, especially the acts we seem to love. So when you look at the list and start to disagree, to quote Rob Base, "you don't like it, so what, I don't care."

Obviously, we want to turn you on to a few new bands, but we can't hit the mark with everyone. That being said, Halifax had a fantastic year in music. The city had a Polaris short-list nominee, a few glaring omissions that were mentioned by people across the country and a steady slew of releases that continued to prove that Halifax is more than the remains of Seattle East and Pop Explosion sounds-like acts.

For our Favorite-of coverage, we did a lot of heavy lifting trying to get exclusive content from the bands - interviews, drink recipes, exclusive tracks, covers, demos - and we are proud of the results. I hope you enjoy this list as much as we do and hopefully after a quick scan of the people we've mentioned below, you won't dismiss any band from Hali as just another East Coast rock band.

Band:: Share
Album:: Slumping in Your Murals
Web:: http://www.sharetheband.ca/
Review:: http://www.herohill.com/2009/05/herohill-music-nova-scotia-artist-of.htm

Q1) What was your best musical moment of '09?
We had a year full of moments that I don't know if I can ever top. Traveling Europe for the first time and playing for amazing crowds was a pleasant surprise, Singing while crowd surfing at the ECMA's was something I never thought would happen at a Share show, Having our friends perform during our album release in Halifax was an event I will always remember, Performing on the Via Rail trains had some indelible moments, and recently we composed a new song for a contemporary Dance piece and performed it live at a Gala in New Brunswick.
Q2) You made a solid transition from a man with a uke to a more band orientated set up for this record. Was this progression natural or a conscious decision and was it hard to relinquish control (even though you had played music with these guys for years)?
It WAS a natural progression but also intentional. Playing music with other people is what is most appealing about music in many ways but I had started writing songs with arrangements in mind and the band just made the music really blossom. It was hard to have less control over the end result but I was happy with the result, so it didn't matter.
Q3) You seem to really embrace the internet and see how it can benefit hard working bands - constantly put up cool videos/recordings trying to satisfy your fans and build a new audience. How important is creative marketing and internet savvy for independent bands in your opinion?
The internet is the best tool to get your music out there without having to compromise what you want to be doing. You can just do things yourself and put it up. I really got into editing video which is why we put up so many video things this past year, I really loved putting those videos together.
Q4) You guys toured your record nationally - via Via which is awesome - so I wonder, do you think a band can make a living without touring the country and simply playing shows close to home and did you find the amount of internet content you served up help build your fan base in places across the country?
Well, we certainly aren't making a living off of music but things are getting better for us because we have toured the way we have. Canada is just so big and so few people are going to shows in most places that playing close to home is wise to develop an audience before venturing across the country or to other countries. I don't know if internet content did anything for us, some people would mention it at shows but mostly just having your music up for people to listen to for free helps the most.
Q5) What's next for Share? Is 2010 going to see a new record?
Ummmm, Going to the ECMA's, a Solo/Duet west coast tour in March, An east coast tour in April or May, and hopefully a new EP by the end of the year.
Q6) If you had to pick one band to take your place on our Best-of list, who would take your spot?
Hmmmm, that is too tough to call. This past year had a lot of new local bands that caught my ear but I don't know if I could call out a clear leader. York Redoubt, Cousins, and Paper beats Scissors are recordings I have been enjoying a lot from Halifax but Richard Laviolette from Ontario is someone in Canada who I think gets overlooked way too often. I feel the same about Shotgun Jimmie, both of his releases this year were brilliant. It was a good year for music.

MP3:: Share - Empathy for the Devil (unreleased new version)

Band:: Caledonia
Album:: We Are America
Web:: http://www.caledoniatheband.ca/
Review:: http://www.herohill.com/2009/05/reviews-caledonia-we-are-america.htm

Q1) What was your best musical moment of '09?
That's a tough call, we've played a lot of fun shows this past year, but i think i can narrow it down;
* St. FX University - Crystal Cliffs. It's this huge 100 year old barn on an old estate that's by the ocean, just outside of town. It has been completely renovated by the University. We played our show, and then convinced the security guards to let us sleep in the barn. But instead of sleeping we stayed up all night jamming, drinking whiskey and listening to Daniel Lanois & Fleet Foxes. The acoustics in that barn are incredible. I can't wait to play there again.
* Or, I'd say playing in Chicago - because we met Buddy Guy, and we were treated nicer than we have ever been before. It was really weird not loading our own gear, or even having to drive to the gig. It made me a bit uncomfortable. Also, super hard to get into the states (especially with Kris' pending drug charges :), so any time we can play there is special.
Q2) You guys really worked your record. It seemed you were always on the road. How important was it for you guys to get your songs heard and how feasible is it for a Hali band to get out and do the same thing?
Wow, it's nice to hear that folks are noticing our incessant touring. We do kind of live in a bubble (a stinky, van-shaped bubble). It was very important for us to tour this record as much as humanly possible, and I think we did our best. We do most of the booking/promo ourselves, so it can be very draining to be in charge of all the logistics and details that go into putting on good shows, on top of driving all over the country and then playing the shows. For example, this was our 3rd National tour, but it took over 6 months of planning & booking & negotiating with venues & promoters. Then we had to book all of our fall dates while we were on the road.

As you know, we have a dirt-bag ethic. The only time we paid for a hotel all year was at NS Music Week. Otherwise it was sleeping in the van, a tent, or on someone's floor. It's not because we love that lifestyle, we just have no choice - we can't afford hotels. It is feasible for other Hali bands to do the same, you just have to be prepared for roughing it a bit, have an emergency credit card for the inevitable vehicle break downs, and you have to like hanging out with each other - 'cause that's what you do a lot of on tour.
Q3) The record - despite the fact most of the band contributed songs - was remarkably cohesive. How do you guys transform sketches and chords into the final result, and how much say does each band member have for their part?
We usually produce group-written songs by work-shopping them to death. Also, having a producer like Dylan Hudecki keeps us from going off on tangents. Our rule is - if it's your instrument, you get final say. Other band members can make suggestions, but ultimately, if you don't like it, you don't play it. Probably not the most efficient way to write music, but we're all very opinionated. Also, even if it's a complete song that one member brings to the group (i.e. We Are America or Scott's House); you have to let the rest of the band put their own touches on it. I think this allows us to have a diverse record with a cohesive sound.
Q4) If you had to pick one band to take you spot in our list, who gets the nod?
My first answer was Acres & Acres, because i think they put out a beautiful and original album. but then Kris told me they made the list too, so I would have to say Paper Beat Scissors.
Q5) Your cd release show here in Hali was a fantastic example of a band having fun on stage and giving back to their fans. For a band like Caledonia, where each member has such a different life, is the camaraderie of the writing process/time in the studio or the adrenaline of the stage the most fun for you?
The writing process is rewarding, but can be tough sometimes, and you don't get feedback for months. The stage show for us is a celebration of the song-writing. Playing in front of people is more intense; there' a connection with the audience, instant feedback. It's really important for us to make each one of our shows special in some way - more of an event, not just another music show. that's why we do things like have 17 musicians on stage (including a string section) at the Paragon; or the acoustic house show at the Company house. Our next big event is will be a split show with Gypsophilia in the March.
Q6) What's the best thing about playing music in Halifax, and if one of your fans stumbled into the city for one day, what would you recommend they do for the day/night?
The best thing about playing music in halifax is definitely the musical community, and lack of ego. There are so many artists in town who i admire and respect, who are so generous with their time; lending their voices and instruments to 'We Are America'. But they know we will do the same for them. If one of our fans came to town for one day/night, I'd tell them to spend the day playing in the ocean, then go to an early show at the Company House, then rock out at Gus' Pub and finish off the night at Charlie's.
Q7) If you could hand pick an artist to cover one of your songs, who would you pick and what song would they sing?
I would pick Tom Waits to sing 'The Plague'

And.... as a special treat here's the world premier of the Scott's House video the band filmed. If you like snow, bikes and wipe outs, you are all set here.

MP3:: Caledonia - We Are America

Band:: Acres & Acres
Album:: All Nations
Web:: http://www.myspace.com/acresandacres
Review:: http://www.herohill.com/2009/09/reviews-acres-and-acres-all-nations.htm

Q1) What was the best musical moment for you in '09?
Kris - Hearing Ian Bent's string arrangement for the song "Truth & Sky" at our CD Release show at the Music Room.
Dave - Yup, the whole album release night was pretty amazing for me too. My parents surprised me and flew up from Ontario to be there. That meant a lot.
Q2) You guys took advantage of Via to really explore the country and book a tour most artists would never get to experience. Is it something you'd ever do again, and what was the most bizarre thing that happened as a result?
Dave - I'd do it in again in a heartbeat. As for bizarre... I ordered duck for supper one day on the train. That was a pretty bizarre occurrence for an independent band on tour.
Kris - Yes, yes, yes. I would do it many times if I could. I think it's the best way to see our country...I hope that someday we have an efficient train system, so everybody can afford to do it.
The most bizarre thing that happened....hmmm.....Jon Mckiel and I were hackey sacking during one of the brief stops. We're not that good, but at that moment we doing all of these wicked moves when all of the sudden I hit it too hard and it landed on top of the train...forget about it.
Q3) All Nations was obviously your vision, but the amount of support you received from the Halifax scene in making the record turned your vision into something spectacular. What was it like to record with so many people you love and respect and moving forward, will any other records be as grandiose in number of guest artists?
Dave - Both the recording sessions and the album release show felt like gratefulapalooza. Everyone seemed genuinely appreciative for an opportunity to do their thing in the company of everybody else doing their thing. It was a hell of a lot of planning & work though!
Kris - Dave and I have been heavily involved in the music scene for a few years now and we've made a lot of friends. I can't tell you how many times I've been in awe at some of the talent that lives down the street from my house. These people are so talented and I think they could break through on an international scale at any moment. The sad thing is that it never seems to happen because I guess it's not commercial enough or whatever the reason is...maybe someday.....Anyway, sometimes you forget that these people are so good at what they do and you just think of them as friends. You ask your friend to play on the record and it all happens so naturally that you don't think too much of it. Looking back after some time to sit on it, I'm so happy that everything happened exactly the way it did.. I am certain we will work with these people again. However, I think the next album we will try for something different. I'd like to have a more percussion on the next album. Maybe we'll go to Cuba and hire some local talent to play on the record....
Dave - I'd love to try on different flavours, if not Cuba, maybe Jamaica.
Q4) If you had to pick one act to take your place in our best-of, who gets the nod?
Kris - Paper Beat Scissors
Dave - Caledonia, not just because Kris plays with them.
Q5) Parts of All Nations was recorded in what I consider to be the perfect spot for your style of music. You guys channel the past but add enough modern touches to keep the record from sounding dated. I guess my question is how did you get access to the building, and how much did the church impact the outcome of the record?
Kris - In the beginning, we thought we'd go checkout some churches that are well-known for being live-music venues. We checked each of them out, but we always seemed to find a reason for not going with them....The one we ended up going with was right in front of our faces. I can see the "All Nations" church from my front door step. We dropped in one day and met the lady who is in charge of booking events. Apparently she's only there for an hour or two each week, so we were very lucky to catch her that day. We told her our plans and she gave us an amazing deal!
The church completely shaped the sound of the songs we recorded. There was a lot of reverb and the acoustics really amplified the instruments quite naturally. We had to keep percussion to a minimal as this was a live recording with no overdubs. Our amps were barely on, the acoustic guitar, strings and vocals were not amplified at all.
Dave - Totally. It was so reverberant, it felt like we were playing it. I think Spaces Between Studio had a huge influence on the sound as well because that's where the project started. If those first live sessions hadn't sounded good then we might not have tried the church recordings. The live recording process is something we've been working on with Don Mackay from Spaces Between since we started the band & we're going to keep working on it with future recordings.
Q6) What up next for Acres & Acres? Will 2010 see any new recorded material?
Kris - Dave's having a baby right now!! Literally. So we're going to have a nice break and then get back to it when he's feeling ready. I can see us recording a new record this spring. Hopefully...
Dave - Yeah, I'll be a Dad any day now. It's sort of all I can think of right now. I'm guessing we'll be in the studio before winter's end though. In the meantime, there are a videos from the tour on the website and we'll be adding more as we sift through footage. Happy New Year!

MP3:: Acres & Acres - Truth and Sky ft. Don Brownrigg, Pamela Underwater & Rose Cousins (live @ The Halifax CD release show)

Band:: The Got To Get Got
Album:: Sahalee
Web:: http://tgtgg.com/
Review:: http://www.herohill.com/2009/06/reviews-got-to-get-go-sahalee.htm

Q1) What was the best musical moment for you in '09?
It was a really satisfying year for us, so it's difficult to pick one moment, but I think it would have to be our "practice" show in Sackville, New Brunswick just before we left for tour. Our bass ace/drummer Robbie was finishing up an artist residence at Struts Gallery in Sackville and we desperately needed to practice before we hit the road, so we decided to drive to Sackville and practice in the old abandoned theatre on Bridge Street where Robbie had his installations. We told a few people that we'd have an impromptu show after our practice, but by the time we got organized to jam, people already started showing up, so we just played. It was perfect. And the after party was totally ridiculous. We bonded.
Q2) After existing as a traveling collective that picked up members in whatever location you were at, how different is the writing process for you now that you are a bit more settled here and have a more set lineup?
I think it has settled down and it's much more of a band feel when we practice. I feel like TGTGG is a true band, with everyone contributing to all aspects of the song writing. I'm still bringing in the first nugget of an idea or a song, but we are all on the same page with the direction the band is heading. Recently, we've decided to just be a rock band live and not use the strings like we used to, which was a really tough decision to make because in the early days the songs really lent themselves to the strings. That said, it was always my thought to continue recording and playing quietly with the strings as TGVGG (our alter ego) but I guess we'll see if that materializes. I've always really enjoyed doing that, but The Got To Get Got is a five-piece from now on.
Q3) I'm not sure if most readers get the significance of the title of your record or the first song, but how perfect was the timing of the release considering the US Open this year and how weird was it to see a review of your record in Golf Digest?
The record is called "Sahalee" after a golf course just outside of Seattle that has played host to the U.S. Open. I've always liked the way "Sahalee" sounded and looked as a word, plus it has a nice positive meaning in Chinook native language which is "high heavenly ground". As a golfer, the review in Golf Digest was incredible and completely unexpected. Even James Keast at Exclaim! was jealous, because he's a golfer himself. There are a lot more indie rock golfers than you might expect. But yeah, I think because the 2009 U.S. Open was held at Bethpage Black and we have a song called "Bethpage Black", the Golf Digest writer might have googled it and somehow came up with The Got To Get Got. I would've loved to see it in the print version of the magazine, but our next record will hopefully make it in. Dear Golf Digest, call me. I'd love to write one of those "How-To" break 90-80-70 columns.
Q4) You are in the process of writing/recording the new record - at least according to twitter - so I wonder if you can give the readers any insight as to how the record is shaping up?
The song count is high enough to make a new album tomorrow, but I think we'll demo the songs first. We never did that with "Sahalee" which was fine, but I'd like to do it this time around. Now we just have to decide if we'll call the record "Hazeltine" or "Highlands Links". We're hoping to record a couple of songs for a digital 7" before the new year. It sounds lame to say this, but we're really having a lot of fun playing the new songs.
Q5) If you had to pick one band to take your spot on the best-of list, who gets the nod?
York Redoubt. R.I.P. Hands down. But they're on there right? Puppy Milk are gonna be the best thing in 2010.
Q6) At the herohill showcase this year for HPX, honestly, I thought you guys stole the show. With such a big band full of people that play in other bands, how hard is it to get to practice and fine tune the live energy and sound?
Impossible. Between my day job, artistic endeavors and everyone else in other bands we have to sacrifice a lot of amazing opportunities for The Got To Get Got, but whenever we get together it always works. I'm lucky to be surrounded by great musicians and great friends, so it's never hard to get back in the TGTGG mindset, but we all wish we had more time to make music together. It will happen in 2010.

Band:: Jenn Grant
Album:: Echoes
Web:: http://www.myspace.com/jenngrant1
Review:: http://www.herohill.com/2009/01/reviews-jenn-grant-echoes-interview.htm

Q1) What was the best musical moment for you in '09?
I think the cd release we had for Echoes at the Cohen. I didn't sleep and had been flying around on a plane all night and was exhausted and stressed and crying in the bath an hour before the show.. But then! The home town people and homemade cookies from Kinley's mom from the audience, and all my band and family being there, made it a spectacular evening. thank you home.
Q2) Almost every review - ours included - alluded to you maturing, both as a woman and an artist. I know when we last chatted you mentioned that this was probably unintentional, but after another year of touring and another fantastic record under your belt, do you feel '09 was a year of growth for you and the band?
I really do. I've learned a lot about myself and about this career since making Echoes and what things are really valuable in this life and I feel really lucky to be able to make a living from writing and performing.
Q3) I actually thought a Billy Ocean dance would be tough to top, but your Ghostbuster routine cleared the bar with ease. You really seem to want to give your audience a special treat with every show and seem to love performing. So, is it more fun to work with friends to record and create your songs, or to get on stage and play them?
I like every show to feel unique, but especially since we don't get to play Halifax frequently these days, I get so excited for those shows that I try to do something extra special. I was sort of thinking about Andy Kaufman when he knew he was dying and played Carnegie Hall - and tried to do everything he could to make the audience feel joy.
Q4) If you had to pick one band to take your spot on our Best-of list, who gets the nod?
There are a lot to chose from, but I love Civic Virtues by Milks and Rectangles record.
Q5) What can we expect from Jenn Grant in 2010?
n January I'm busing across the country for an Olympic Tour with the band, followed by a show with Symphony Nova Scotia, and I am currently writing for my next record.
Q6) So, because we like you so much we are going to lend you the keys to our Deloreon and get Doc Brown to let you go back in time with one specific goal. Tell us what 5 dance movies you would re-shoot with you being part of the cast!
West side story, Flashdance, Dirty Dancing, Pulp Fiction (the scene with the twist, after the milkshakes), Girls Just Wanna Have Fun

Head on back tomorrow for the Top 5... Spoiler, we have some bands that love to drink and a cover that will knock your socks off.

Labels: Acres and Acres, Best-of '09, Caledonia, Halifax, Jenn Grant, Music, Share, The Got to Get Got