Monday, December 21, 2009
Favorites-'09:: Canadian LPs (20-11)
Buckle up. I know the last thing you need is yet another list from herohill, but this is the list full of big hitters. Twenty records that blew me away in '09 and a few special treats for all you loyal hill-ians.
20
Band:: The Great Bloomers
Album:: Speak of Trouble
Review:: http://www.herohill.com/2009/04/reviews-great-bloomers-speak-of-trouble.htm
1) What was your best musical moment of '09?
My best musical moment of '09 was our CD release party at the Horseshoe...Although, Virgin Fest in Calgary was pretty great as well.
2) You guys exploded out of the blocks with your debut EP and were embraced by the blog scene. The follow up - your debut LP - was probably stronger but maybe less well received in terms of the blog love. Did you feel pressure to follow up with a stronger product, and looking back on the LP are you guys happy with the songs you put forward?
Absolutely. It was clearly a departure for us.. i feel like the general expectation was for us to go into the studio and make an album that sounded like i recorded it in my basement (like i did with the EP). I loved recording that way, but it was also exciting to have outside input and have more people involved in the process. I'm sure the next album will be totally different from this one as well.
3) I recently saw you guys open for The RAA in Montreal, and was really impressed by the energy the band brings on stage. Like most good bands, you recreate the songs once the adrenaline starts pumping. Which is a better experience for you, studio work and writing songs, or playing them live?
All of those experiences offer a completely different sort of satisfaction.. Writing is the root of it all and often the most rewarding part for me. Sometimes when i begin writing a song it can be so raw that i am not even certain what it's about, but as it takes shape i will realize it's meaning... and sometimes the meanings will change as i continue to write. This isn't always the case, but can be an interesting way to find out a lot about yourself. Recording is one of the toughest things to do... creating ONE definite version of a song. However, it's a great way to explore and develop a song and will often benefit the live show in the long run. Our live show is what we pride ourselves on, we all love to play music for people... i don't know how someone could tour Canada unless they truly loved performing.
4) If you had to pick one band to take your spot on the best-of list, who gets the nod?
Olenka and the Autumn Lovers are a wonderful band, also the Magic are certainly a band to watch out for.
5) It's easy to hear some of your influences when you really listen to the record, so I wonder, if you could ask one artist to cover your work, who would you pick and what song would you want to hear?
I would ask Arthur Russell to cover "Last of my faith".
6) As a young band trying to make a name for yourself in TO, what is the best thing about playing music in Toronto and what's the biggest misconception about the TO scene?
I hear lots of people talkin' about how cynical Toronto crowds are, but there is nothing quite like playing Toronto for us. I have truly loved every city i have toured through in Canada thus far, but i am always excited to come home. The best thing about being part of the Toronto scene is the support and respect you get from fellow musicians, bands, and peers. It has been nothing but heart-warming for us.
7) For anyone reading that hasn't visited TO and only has 24 hours to spend in the city, what should they do?
If you really want to have an authentic Toronto experience, you're going to want to steer clear of all the trite or "pedestrian" activities that most tourists would flock to. With that being said, I'd suggest going to the CN tower... have you seen how tall that thing is!?
19
Band:: Andrew Vincent
Album:: Rotten Pear
Review:: http://www.herohill.com/2009/06/reviews-andrew-vincent-rotten-pears.htmrew Vincent - Rotten Pear
1) What was your best musical moment of '09?
The album release show for Rotten Pear in Ottawa. My folks were there from Calgary and the crowd danced! It was really fun. And it had been so long since my last record that it was just a relief for it to finally be done. Especially since I was really happy with the result. Also, running across the Pretoria Bridge during the Ottawa half marathon with Straight Outta Compton in my headphones was pretty great too.
2) When we passed like ships in the night at Polaris, you casually used plebs in a tweet. Duly impressed, I have to ask, what's your favorite word?
I like short forms that don't really exist. For example, 'genty' (which I use to mean a street/store/hood that has gone through gentrification). Like, "It's suddenly looking pretty genty around here." Alternatively, hippogriff is a pretty cool word.
3) The one thing that always blows me away is how tight the Kelp family is. I mean, people always say "their label mates are like family" but you guys never say it and the support you give each other seems way more genuine. You all seem to enjoy the success of your peers as much as your own. So, how did you hook up with Jon and now, 5 albums deep, how important is Kelp to you as a musician?
Jon and I met in 1997 in Waterloo. We had a mutual friend who had started this weird jam band (hand drums, flute, gamelon, etc.). Jon and I had both been asked to make noise. I played tape loops on a reel to reel and Jon played shakers and did the worm. At one show I opened with a solo set of my acoustic songs and Jon said we should record an album. That was 'To Thine' which came out on cassette in 1998. Since then we've been very good friends. I feel like I've grown as a musician as Kelp has grown, and in that way it's been a good fit. I wasn't really comfortable at the start playing big shows or touring. I could hardly tune a guitar. So, the low key approach of the label let me put out music without feeling over my head. That has a lot to do with the other bands on the label as well who always seem keen to help out and make you feel like you're doing something worthwhile. The annual Kelp Anniversary shows sum up the whole attitude. Three or four shows over a weekend, in venues run by friends or places we like to go, with food cooked by friends, with friends' bands (whether or not they're on the label). You should come next year.
4) You are currently in the running for most Canadian song on CBC3. How important is that title, and how would you prove your patriotism to our loyal and dedicated Canadian readership?
I was super excited to be nominated for a Bucky. CBC3 are really the greatest supporters. I do, however, find it hard to say why one song would be more Canadian than another. Then again, my song has 'Canadian' in the title, so it should probably win on that alone. It's like the Molson Canadian of songs (although what does that say?). To prove my patriotism, I will say that I would rather win a Grammy. Now that's the Canadian Dream.
5) You can write the theme song to any TV show or Movie. What's your choice and what's the song called?
The show: Dragon's Den. The song: Arlene's the boss (She really used to be my boss).
6) Rotten Pear is kind of a return to sound for you, leaving the Pirates on shore. What do you like about the solo routine and is the more stripped down sound here to stay for AV?
I do like the stripped down sound, but I also love playing with a band like the Pirates. Playing solo, I can indulge in my wandering ways, forgetting lyrics, forgetting songs, playing with sounds or leaving space--generally not having a plan, but still thinking I know what I want. But I'm definitely looking forward to more rock in the future. I just finished a 'band' e.p. that we recorded with Andy Magoffin at the House of Miracles. It should be out early next year and hopefully a tour will follow with Jenny Omnichord on bass and Shayne Cox on drums.
7) If you had to pick one band to take your spot on the Best-of '09 list, who do you choose?
Ottawa's The White Wires. Holy crap, they write a good rock song.
So how about this extra special treat. Andrew recorded his play on the Jay Reatard track, There is No Sun, recorded on his phone on a friend's piano. Delightful.
18
Band:: Carolyn Mark & NQ Arbuckle
Album:: Lets Just Stay Here
Review:: http://www.herohill.com/2009/08/reviews-carolyn-mark-nq-arbuckle-lets.htm
1) What was your best musical moment of '09?
Sharing the bill with Loudon Wainwright III at the Ukrainian Hall in Montreal. I was with my "real band"- Tolan Mcneil and Diona Davies. And they let me play the grand piano.
2) Who came up with the idea for you and NQ Arbuckle to record together and did the collaboration impact your writing process?
I did. And yes the collaboration did impact my writing process.
3) For any youngster moving into an apartment, what 5 essentials do they need in the fridge/bar/cabinents to make sure they are always ready for guests?
Cork screw, garlic bread, fuzzy water, 3 bottles of red wine and a box of mandarin oranges,
4) If you had to pick one band to take your spot on our Best-of list, who would get the nod?
Joel Plaskett. He knows what to do.
5) You are at the crossroads and you have to choose to a) never play music again or b) never play the hostess again... what do you choose?
Death.
6) You did such a great job covering songs on this last release, I wonder if you could pick one musician to cover you, who would it be and what song would you hope to hear?
Lucinda Williams doing Itchy Feet.
Carolyn didn't want our holiday parties to be wack, so she included a nice Holiday pick me up beverage to help toast the season:
Holiday Froster
In a tall glass, pour 1 shot whiskey over ice. Then, fill with equal parts: chilled peppermint tea, limeade and soda. A delicious pre-dinner pick-me-up.
17
Band:: Royal City
Album:: self-titled
Review:: http://www.herohill.com/2009/05/reviews-royal-city.htm
This record might have been a collection of b-side and rarities, but honestly they stand up today as well as they would have back then, and the influence this band had on the Canadian scene is unreal ---> see below for a perfect example.
16
Band:: Cousins
Album:: Out on Town
Review:: http://www.herohill.com/2009/08/reviews-cousins-out-on-town.htm
This was one of my favorite local releases, and Aaron really made the city take notice of his chops. Hopefully this nice preview of his new stuff will get everyone else excited.
15
Band:: Evening Hymns
Album:: Spirit Guides
Review:: http://www.herohill.com/2009/10/have-you-ever-been-around-group-of.htm
1) What was the best musical moment for you in '09?
Just the release of Spirit Guides was a big deal for me. I hadn’t released anything in a long time so to finish a project like that was really important to me. We started recording it on December 28th 2008 and tracked until New Year’s Eve. We had the beds all done by then and a bit more. The rest of the record was recorded over the next couple months in Toronto, all the overdubs, strings, horns, etc. so it’s a very 2009 project to me. We just had the release party for the record in Toronto last week and that was a pretty amazing moment too. We had 11 people on stage for Mtn. Song during the encore and it was the most fun I’ve ever had playing music.
2) Spirit Hymns really showcases a bigger, denser sound for you. How different was the process of recording with friends and adding layers to your songs instead of the more lo-fi styles of your previous efforts?
In the past I’ve always recorded by myself, playing everything and placing mics, and I’m starting to realize that it’s an unhealthy way for me to work. It’s great for simple demo recordings, etc. but to finally get to just play and not have to mix and record was really good for me. I was able to sit back and not be so involved in that process so I was free to think more about the music and the arrangements. I will always record on my own though. I do enjoy it when it’s relaxed and more for just me.
3) Your label - OOTS - really shows how a group of like minded artists can blossom together. How did you first get hooked up with Stuart and now that you've experimented with larger recordings, do you think you will ever return to the more intimate, loop/pedal solo style?
I think just because some people had heard some of the early mixes of Spirit Guides they were talking about them and Stuart asked me what my plans were with it. I sent him some mixes early on and he liked them. I knew Stuart already because of OOTS and because he also booked shows in Toronto and I had played one or two of them. I had talked to Taylor from Timber Timbre, who was on OOTS at the time, and he thought it would be a good fit for me too. I’m good friends with The D’Urbervilles and Forest City Lovers too and the Friends In Bellwoods compilations are really great things so it was a pretty easy decision for me to sign with them. The large recording thing is funny because I think when James and I set out to make this record it was never intended to get so huge but as we started tracking and overdubbing we kept adding more and more and in the end it got pretty colossal, at least for Evening Hymns. It has been a struggle for me because I was always a solo artist and then when the record came out I felt the need to have a larger live band in order to recreate some of that sound that exists on Spirit Guides. For the release show we had up to 11 people on stage for some songs and that was a real blast but it’s not sustainable for Evening Hymns so right now we’re trying to do something different. I’m not so interested in having a large band and I really want to figure out a way to have a smaller group yet still create similar dynamics.
4) If you had to pick one band to take your spot on our Best-of List, who gets the nod? Timber Timbre-S/T
Haunted songs from an old soul. I think the best part about this record for me is knowing that he is gonna trump it with the next one and I have no idea what it’s going to sound like. I’m really excited to see what he does next.
5) What made you pick up and move from Peterborough to Toronto (note, if this is not true, and you are still splitting time and based in Peterborough, just ignore it), and what's been the most pleasant surprise about playing music in Canada's biggest city?
Peterborough is an amazing city but it just seemed like I had to move to Toronto. I was here so much already finishing the record, and my partner is here, and all of my friends live within a 10 minute walk now. I felt like Toronto has always been my music community anyways so it was a pretty easy transition. I think the nicest thing about being here though is how much more you get to participate in being in the city. I think you just become more visible. You’re running into more people more often and it just makes the whole music scene much smaller. Being surrounded by all these people doing great things just inspires and pushes me to work harder at what I do.
6) The dichotomy of city vs town is such a contrast and I would imagine it to be a fantastic creative trigger... do you prefer to write outside in the openness and freedom or amongst the chaos and traffic of the city?
That’s a good question. Obviously my work is heavily inspired by the natural world. I do get a lot of inspiration from walking around and I think you can live a decent life in the city while your head is in the country, so to speak. I guess it’s too soon to tell if my urban life now is going to work it’s way into my music. I’m sure it will. My heart is still very much attached to the woods though, the pace and quiet are good for me. For now though Toronto is a great place for me. I like how fast the city moves. It’s constantly engaging. But the first chance I get to buy property and build in the woods I’m out of here. No offense to Toronto.
7) The release of Spirit Guides has been incredibly well received, both in print and online. Considering the limited exposure some of your previous releases received, are you at all surprised by the reaction and does it put any pressure on you for your next record?
It has been more surprising to me then anyone I’m sure. I feel really grateful and amazed! I hope more people get to hear the record because of all the press and what not. I’m really proud of it. I’m already working on a new record, at least in my head I am. I don’t really feel any pressure working on it because I know it’s going to be whatever it ends up being. In my head it’ll be better then Spirit Guides. I wouldn’t release anything that I thought was worse, or less interesting, then my last record. Whether or not people like it as much as Spirit Guides, well I guess that’s up to them. I am making music for myself, I’m just happy that people seem to like it too.
And Jonas made us happy... by sending over a terrific cover of the heartbreaking Tree Rings track, Please Don't Wreck Me Like You Do, and a super early, very different demo of Tumultuous Sea.
14
Band:: The Wooden Sky
Album:: If I Don't Come Home You'll Know I'm Gone
Review:: http://www.herohill.com/2009/07/reviews-wooden-sky-if-i-dont-come-home.htm
1) What was your best musical moment of '09?
I think my favourite musical moment was recording our new record in Montreal. We had been in the studio for about a week when a carload of close friends drove up from Toronto to hang out with us at the studio. It was a really special week-end and I think it really shaped the sound and feel of the rest of the recording session.
2) Without dwelling on the name change and the history of the band, you've been making steady climbs with each record and I really feel this effort blew any expectations I had out of the water. How long were you working on these songs and without feeling like you have to blow your own your, how proud are you of the final songs on If I Don’t Come Home You’ll Know I’m Gone?
I'm constantly working and reworking my songs, so some of the songs on the record had been around for 2 years (since the last record) while others had been written only weeks before hand. I think I'm drawn to those newer songs on the record because they still feel fresh to me, and I always like to record songs when they are still really new and exciting to play. Sometimes however that can backfire because as you start to play the songs live they can take on a new energy or feeling. I think we did a good job of walking the line between creating something that has a live element to it while also taking careful steps to orchestrate the songs without melodies or parts stepping on one another.
3) People outside of Toronto often think of the city as a cold, hard city but you and the rest of the Bellwoods crew have really formed a warm collective that could exist in any city. How did you first get hooked up with the rest of those terrific bands, and what is your favorite part about playing music in TO?
The idea of a "Bellwoods crew" was never a real conscious idea, and despite all the mentions of it in articles it still is a very natural and organic thing. We are friends with similar interests who love and support what one another do. I love the idea that if I'm asked to name some of my favourite records from 2009 more then half of them are my friends, it's exciting and motivating. The friends I've made through music and playing in Toronto is definitely my favourite part of playing here. It's been a really great year for a lot of my friends and I'm so proud of them for the great work that they do.
4) If you had to pick another band to take your spot on our Best-of list, who would get the nod?
Evening Hymns
5) You guys are coming to Halifax in the new year... what can us good Haligonians expect and will you or will you not eat a donair?
Well seeing as it's going to be January, probably a lot of winter coats and long johns...maybe even some sorels. One thing I love about our band is that it's a very flexible machine so I can't really say exactly what you might be able to expect come January. We've been talking about bringing some friends out on the road with us, so that would change things a bit too. As for the donair, I'll have to make a game time decision on that one.
6) TWS seems to have embraced the power of the internet and even offered up a fantastic multi-segmented documentary for any interested fan to watch. How important do you think the internet is to building a cross-country fan base and how has it helped you with this record release?
The internet has been pretty important in promoting our new record, it's an easy way to reach people. The documentary was our attempt at not just waving a flag saying "look at our band, look at our band" but to actually work hard and create something new that could be a companion piece to the record.
Q7) Every band has a few covers in their bag, but it's not often you get to hear a band cover your work. If you could pick any artist to cover any of your songs, who would you want and what track?
I'd love to here Tom Petty cover "Leave a Light On", it's a song that we recorded during the sessions for If don't come home you'll know I'm gone and I think it would be amazing to hear him sing it. Either that or maybe to get Bruce Springsteen to cover Oslo.
13
Band:: Reverie Sound Revue
Album:: self-titled
Review:: http://www.herohill.com/2009/07/reviews-reverie-sound-revue.htm
I was completely blown away by this pop gem. I didn't expect to fall quite so hard for Lisa Lobsingers sexy coo, but goodness this LP hit on all cylinders. Quite honestly, whenever I need a pick me up I throw on Arrows and just start feeling better.
12
Band:: Bahamas
Album:: Pink Strat
Review:: http://www.herohill.com/2009/06/reviews-bahamas-pink-strat.htm
Afie stepped out from the shadows with this tribute to the one thing he's loved that always loves him back. The record is a terrific collection of I'm so broke I ain't worth loving kind of heartache, but Afie handles the genre with an amazing understanding of subtlety, charisma and humor. He's also playing Halifax for IDOW, opening for someone named John K. something or other?
11
Band:: The Lodge
Album:: Take That Devil
Review:: http://www.herohill.com/2009/03/reviews-lodge-take-that-devil.htm
I know we gushed about them in our local release section, but honestly, this effort is staggering from top to bottom. It's heavy, energetic, shows terrific musicianship and O'Neil is still such a unique vocal presence that you can't ignore the tracks. Plus, he wears a sleep mask like Michael Scott.
Tomorrow - The TOP 10! With some extra special gems, including one of Canada's most popular artists offering up a Smiths cover.
Band:: The Great Bloomers
Album:: Speak of Trouble
Review:: http://www.herohill.com/2009/04/reviews-great-bloomers-speak-of-trouble.htm
1) What was your best musical moment of '09?
My best musical moment of '09 was our CD release party at the Horseshoe...Although, Virgin Fest in Calgary was pretty great as well.
2) You guys exploded out of the blocks with your debut EP and were embraced by the blog scene. The follow up - your debut LP - was probably stronger but maybe less well received in terms of the blog love. Did you feel pressure to follow up with a stronger product, and looking back on the LP are you guys happy with the songs you put forward?
Absolutely. It was clearly a departure for us.. i feel like the general expectation was for us to go into the studio and make an album that sounded like i recorded it in my basement (like i did with the EP). I loved recording that way, but it was also exciting to have outside input and have more people involved in the process. I'm sure the next album will be totally different from this one as well.
3) I recently saw you guys open for The RAA in Montreal, and was really impressed by the energy the band brings on stage. Like most good bands, you recreate the songs once the adrenaline starts pumping. Which is a better experience for you, studio work and writing songs, or playing them live?
All of those experiences offer a completely different sort of satisfaction.. Writing is the root of it all and often the most rewarding part for me. Sometimes when i begin writing a song it can be so raw that i am not even certain what it's about, but as it takes shape i will realize it's meaning... and sometimes the meanings will change as i continue to write. This isn't always the case, but can be an interesting way to find out a lot about yourself. Recording is one of the toughest things to do... creating ONE definite version of a song. However, it's a great way to explore and develop a song and will often benefit the live show in the long run. Our live show is what we pride ourselves on, we all love to play music for people... i don't know how someone could tour Canada unless they truly loved performing.
4) If you had to pick one band to take your spot on the best-of list, who gets the nod?
Olenka and the Autumn Lovers are a wonderful band, also the Magic are certainly a band to watch out for.
5) It's easy to hear some of your influences when you really listen to the record, so I wonder, if you could ask one artist to cover your work, who would you pick and what song would you want to hear?
I would ask Arthur Russell to cover "Last of my faith".
6) As a young band trying to make a name for yourself in TO, what is the best thing about playing music in Toronto and what's the biggest misconception about the TO scene?
I hear lots of people talkin' about how cynical Toronto crowds are, but there is nothing quite like playing Toronto for us. I have truly loved every city i have toured through in Canada thus far, but i am always excited to come home. The best thing about being part of the Toronto scene is the support and respect you get from fellow musicians, bands, and peers. It has been nothing but heart-warming for us.
7) For anyone reading that hasn't visited TO and only has 24 hours to spend in the city, what should they do?
If you really want to have an authentic Toronto experience, you're going to want to steer clear of all the trite or "pedestrian" activities that most tourists would flock to. With that being said, I'd suggest going to the CN tower... have you seen how tall that thing is!?
MP3:: The Great Bloomers - Find My Way
Band:: Andrew Vincent
Album:: Rotten Pear
Review:: http://www.herohill.com/2009/06/reviews-andrew-vincent-rotten-pears.htmrew Vincent - Rotten Pear
1) What was your best musical moment of '09?
The album release show for Rotten Pear in Ottawa. My folks were there from Calgary and the crowd danced! It was really fun. And it had been so long since my last record that it was just a relief for it to finally be done. Especially since I was really happy with the result. Also, running across the Pretoria Bridge during the Ottawa half marathon with Straight Outta Compton in my headphones was pretty great too.
2) When we passed like ships in the night at Polaris, you casually used plebs in a tweet. Duly impressed, I have to ask, what's your favorite word?
I like short forms that don't really exist. For example, 'genty' (which I use to mean a street/store/hood that has gone through gentrification). Like, "It's suddenly looking pretty genty around here." Alternatively, hippogriff is a pretty cool word.
3) The one thing that always blows me away is how tight the Kelp family is. I mean, people always say "their label mates are like family" but you guys never say it and the support you give each other seems way more genuine. You all seem to enjoy the success of your peers as much as your own. So, how did you hook up with Jon and now, 5 albums deep, how important is Kelp to you as a musician?
Jon and I met in 1997 in Waterloo. We had a mutual friend who had started this weird jam band (hand drums, flute, gamelon, etc.). Jon and I had both been asked to make noise. I played tape loops on a reel to reel and Jon played shakers and did the worm. At one show I opened with a solo set of my acoustic songs and Jon said we should record an album. That was 'To Thine' which came out on cassette in 1998. Since then we've been very good friends. I feel like I've grown as a musician as Kelp has grown, and in that way it's been a good fit. I wasn't really comfortable at the start playing big shows or touring. I could hardly tune a guitar. So, the low key approach of the label let me put out music without feeling over my head. That has a lot to do with the other bands on the label as well who always seem keen to help out and make you feel like you're doing something worthwhile. The annual Kelp Anniversary shows sum up the whole attitude. Three or four shows over a weekend, in venues run by friends or places we like to go, with food cooked by friends, with friends' bands (whether or not they're on the label). You should come next year.
4) You are currently in the running for most Canadian song on CBC3. How important is that title, and how would you prove your patriotism to our loyal and dedicated Canadian readership?
I was super excited to be nominated for a Bucky. CBC3 are really the greatest supporters. I do, however, find it hard to say why one song would be more Canadian than another. Then again, my song has 'Canadian' in the title, so it should probably win on that alone. It's like the Molson Canadian of songs (although what does that say?). To prove my patriotism, I will say that I would rather win a Grammy. Now that's the Canadian Dream.
5) You can write the theme song to any TV show or Movie. What's your choice and what's the song called?
The show: Dragon's Den. The song: Arlene's the boss (She really used to be my boss).
6) Rotten Pear is kind of a return to sound for you, leaving the Pirates on shore. What do you like about the solo routine and is the more stripped down sound here to stay for AV?
I do like the stripped down sound, but I also love playing with a band like the Pirates. Playing solo, I can indulge in my wandering ways, forgetting lyrics, forgetting songs, playing with sounds or leaving space--generally not having a plan, but still thinking I know what I want. But I'm definitely looking forward to more rock in the future. I just finished a 'band' e.p. that we recorded with Andy Magoffin at the House of Miracles. It should be out early next year and hopefully a tour will follow with Jenny Omnichord on bass and Shayne Cox on drums.
7) If you had to pick one band to take your spot on the Best-of '09 list, who do you choose?
Ottawa's The White Wires. Holy crap, they write a good rock song.
So how about this extra special treat. Andrew recorded his play on the Jay Reatard track, There is No Sun, recorded on his phone on a friend's piano. Delightful.
MP3:: Andrew Vincent - I Heard There Is No Sun (Jay Reatard)
Band:: Carolyn Mark & NQ Arbuckle
Album:: Lets Just Stay Here
Review:: http://www.herohill.com/2009/08/reviews-carolyn-mark-nq-arbuckle-lets.htm
1) What was your best musical moment of '09?
Sharing the bill with Loudon Wainwright III at the Ukrainian Hall in Montreal. I was with my "real band"- Tolan Mcneil and Diona Davies. And they let me play the grand piano.
2) Who came up with the idea for you and NQ Arbuckle to record together and did the collaboration impact your writing process?
I did. And yes the collaboration did impact my writing process.
3) For any youngster moving into an apartment, what 5 essentials do they need in the fridge/bar/cabinents to make sure they are always ready for guests?
Cork screw, garlic bread, fuzzy water, 3 bottles of red wine and a box of mandarin oranges,
4) If you had to pick one band to take your spot on our Best-of list, who would get the nod?
Joel Plaskett. He knows what to do.
5) You are at the crossroads and you have to choose to a) never play music again or b) never play the hostess again... what do you choose?
Death.
6) You did such a great job covering songs on this last release, I wonder if you could pick one musician to cover you, who would it be and what song would you hope to hear?
Lucinda Williams doing Itchy Feet.
Carolyn didn't want our holiday parties to be wack, so she included a nice Holiday pick me up beverage to help toast the season:
Holiday Froster
In a tall glass, pour 1 shot whiskey over ice. Then, fill with equal parts: chilled peppermint tea, limeade and soda. A delicious pre-dinner pick-me-up.
Band:: Royal City
Album:: self-titled
Review:: http://www.herohill.com/2009/05/reviews-royal-city.htm
This record might have been a collection of b-side and rarities, but honestly they stand up today as well as they would have back then, and the influence this band had on the Canadian scene is unreal ---> see below for a perfect example.
Band:: Cousins
Album:: Out on Town
Review:: http://www.herohill.com/2009/08/reviews-cousins-out-on-town.htm
This was one of my favorite local releases, and Aaron really made the city take notice of his chops. Hopefully this nice preview of his new stuff will get everyone else excited.
MP3:: Cousins - Nans
Band:: Evening Hymns
Album:: Spirit Guides
Review:: http://www.herohill.com/2009/10/have-you-ever-been-around-group-of.htm
1) What was the best musical moment for you in '09?
Just the release of Spirit Guides was a big deal for me. I hadn’t released anything in a long time so to finish a project like that was really important to me. We started recording it on December 28th 2008 and tracked until New Year’s Eve. We had the beds all done by then and a bit more. The rest of the record was recorded over the next couple months in Toronto, all the overdubs, strings, horns, etc. so it’s a very 2009 project to me. We just had the release party for the record in Toronto last week and that was a pretty amazing moment too. We had 11 people on stage for Mtn. Song during the encore and it was the most fun I’ve ever had playing music.
2) Spirit Hymns really showcases a bigger, denser sound for you. How different was the process of recording with friends and adding layers to your songs instead of the more lo-fi styles of your previous efforts?
In the past I’ve always recorded by myself, playing everything and placing mics, and I’m starting to realize that it’s an unhealthy way for me to work. It’s great for simple demo recordings, etc. but to finally get to just play and not have to mix and record was really good for me. I was able to sit back and not be so involved in that process so I was free to think more about the music and the arrangements. I will always record on my own though. I do enjoy it when it’s relaxed and more for just me.
3) Your label - OOTS - really shows how a group of like minded artists can blossom together. How did you first get hooked up with Stuart and now that you've experimented with larger recordings, do you think you will ever return to the more intimate, loop/pedal solo style?
I think just because some people had heard some of the early mixes of Spirit Guides they were talking about them and Stuart asked me what my plans were with it. I sent him some mixes early on and he liked them. I knew Stuart already because of OOTS and because he also booked shows in Toronto and I had played one or two of them. I had talked to Taylor from Timber Timbre, who was on OOTS at the time, and he thought it would be a good fit for me too. I’m good friends with The D’Urbervilles and Forest City Lovers too and the Friends In Bellwoods compilations are really great things so it was a pretty easy decision for me to sign with them. The large recording thing is funny because I think when James and I set out to make this record it was never intended to get so huge but as we started tracking and overdubbing we kept adding more and more and in the end it got pretty colossal, at least for Evening Hymns. It has been a struggle for me because I was always a solo artist and then when the record came out I felt the need to have a larger live band in order to recreate some of that sound that exists on Spirit Guides. For the release show we had up to 11 people on stage for some songs and that was a real blast but it’s not sustainable for Evening Hymns so right now we’re trying to do something different. I’m not so interested in having a large band and I really want to figure out a way to have a smaller group yet still create similar dynamics.
4) If you had to pick one band to take your spot on our Best-of List, who gets the nod? Timber Timbre-S/T
Haunted songs from an old soul. I think the best part about this record for me is knowing that he is gonna trump it with the next one and I have no idea what it’s going to sound like. I’m really excited to see what he does next.
5) What made you pick up and move from Peterborough to Toronto (note, if this is not true, and you are still splitting time and based in Peterborough, just ignore it), and what's been the most pleasant surprise about playing music in Canada's biggest city?
Peterborough is an amazing city but it just seemed like I had to move to Toronto. I was here so much already finishing the record, and my partner is here, and all of my friends live within a 10 minute walk now. I felt like Toronto has always been my music community anyways so it was a pretty easy transition. I think the nicest thing about being here though is how much more you get to participate in being in the city. I think you just become more visible. You’re running into more people more often and it just makes the whole music scene much smaller. Being surrounded by all these people doing great things just inspires and pushes me to work harder at what I do.
6) The dichotomy of city vs town is such a contrast and I would imagine it to be a fantastic creative trigger... do you prefer to write outside in the openness and freedom or amongst the chaos and traffic of the city?
That’s a good question. Obviously my work is heavily inspired by the natural world. I do get a lot of inspiration from walking around and I think you can live a decent life in the city while your head is in the country, so to speak. I guess it’s too soon to tell if my urban life now is going to work it’s way into my music. I’m sure it will. My heart is still very much attached to the woods though, the pace and quiet are good for me. For now though Toronto is a great place for me. I like how fast the city moves. It’s constantly engaging. But the first chance I get to buy property and build in the woods I’m out of here. No offense to Toronto.
7) The release of Spirit Guides has been incredibly well received, both in print and online. Considering the limited exposure some of your previous releases received, are you at all surprised by the reaction and does it put any pressure on you for your next record?
It has been more surprising to me then anyone I’m sure. I feel really grateful and amazed! I hope more people get to hear the record because of all the press and what not. I’m really proud of it. I’m already working on a new record, at least in my head I am. I don’t really feel any pressure working on it because I know it’s going to be whatever it ends up being. In my head it’ll be better then Spirit Guides. I wouldn’t release anything that I thought was worse, or less interesting, then my last record. Whether or not people like it as much as Spirit Guides, well I guess that’s up to them. I am making music for myself, I’m just happy that people seem to like it too.
And Jonas made us happy... by sending over a terrific cover of the heartbreaking Tree Rings track, Please Don't Wreck Me Like You Do, and a super early, very different demo of Tumultuous Sea.
MP3:: Evening Hymns - Tumultuous Sea (demo)
MP3:: Evening Hymns - Please Don't Wreck Me Like You Do (Tree Rings cover)
Band:: The Wooden Sky
Album:: If I Don't Come Home You'll Know I'm Gone
Review:: http://www.herohill.com/2009/07/reviews-wooden-sky-if-i-dont-come-home.htm
1) What was your best musical moment of '09?
I think my favourite musical moment was recording our new record in Montreal. We had been in the studio for about a week when a carload of close friends drove up from Toronto to hang out with us at the studio. It was a really special week-end and I think it really shaped the sound and feel of the rest of the recording session.
2) Without dwelling on the name change and the history of the band, you've been making steady climbs with each record and I really feel this effort blew any expectations I had out of the water. How long were you working on these songs and without feeling like you have to blow your own your, how proud are you of the final songs on If I Don’t Come Home You’ll Know I’m Gone?
I'm constantly working and reworking my songs, so some of the songs on the record had been around for 2 years (since the last record) while others had been written only weeks before hand. I think I'm drawn to those newer songs on the record because they still feel fresh to me, and I always like to record songs when they are still really new and exciting to play. Sometimes however that can backfire because as you start to play the songs live they can take on a new energy or feeling. I think we did a good job of walking the line between creating something that has a live element to it while also taking careful steps to orchestrate the songs without melodies or parts stepping on one another.
3) People outside of Toronto often think of the city as a cold, hard city but you and the rest of the Bellwoods crew have really formed a warm collective that could exist in any city. How did you first get hooked up with the rest of those terrific bands, and what is your favorite part about playing music in TO?
The idea of a "Bellwoods crew" was never a real conscious idea, and despite all the mentions of it in articles it still is a very natural and organic thing. We are friends with similar interests who love and support what one another do. I love the idea that if I'm asked to name some of my favourite records from 2009 more then half of them are my friends, it's exciting and motivating. The friends I've made through music and playing in Toronto is definitely my favourite part of playing here. It's been a really great year for a lot of my friends and I'm so proud of them for the great work that they do.
4) If you had to pick another band to take your spot on our Best-of list, who would get the nod?
Evening Hymns
5) You guys are coming to Halifax in the new year... what can us good Haligonians expect and will you or will you not eat a donair?
Well seeing as it's going to be January, probably a lot of winter coats and long johns...maybe even some sorels. One thing I love about our band is that it's a very flexible machine so I can't really say exactly what you might be able to expect come January. We've been talking about bringing some friends out on the road with us, so that would change things a bit too. As for the donair, I'll have to make a game time decision on that one.
6) TWS seems to have embraced the power of the internet and even offered up a fantastic multi-segmented documentary for any interested fan to watch. How important do you think the internet is to building a cross-country fan base and how has it helped you with this record release?
The internet has been pretty important in promoting our new record, it's an easy way to reach people. The documentary was our attempt at not just waving a flag saying "look at our band, look at our band" but to actually work hard and create something new that could be a companion piece to the record.
Q7) Every band has a few covers in their bag, but it's not often you get to hear a band cover your work. If you could pick any artist to cover any of your songs, who would you want and what track?
I'd love to here Tom Petty cover "Leave a Light On", it's a song that we recorded during the sessions for If don't come home you'll know I'm gone and I think it would be amazing to hear him sing it. Either that or maybe to get Bruce Springsteen to cover Oslo.
MP3:: The Wooden Sky - I Am a Raw Youth (Royal City cover)
Band:: Reverie Sound Revue
Album:: self-titled
Review:: http://www.herohill.com/2009/07/reviews-reverie-sound-revue.htm
I was completely blown away by this pop gem. I didn't expect to fall quite so hard for Lisa Lobsingers sexy coo, but goodness this LP hit on all cylinders. Quite honestly, whenever I need a pick me up I throw on Arrows and just start feeling better.
Band:: Bahamas
Album:: Pink Strat
Review:: http://www.herohill.com/2009/06/reviews-bahamas-pink-strat.htm
Afie stepped out from the shadows with this tribute to the one thing he's loved that always loves him back. The record is a terrific collection of I'm so broke I ain't worth loving kind of heartache, but Afie handles the genre with an amazing understanding of subtlety, charisma and humor. He's also playing Halifax for IDOW, opening for someone named John K. something or other?
Band:: The Lodge
Album:: Take That Devil
Review:: http://www.herohill.com/2009/03/reviews-lodge-take-that-devil.htm
I know we gushed about them in our local release section, but honestly, this effort is staggering from top to bottom. It's heavy, energetic, shows terrific musicianship and O'Neil is still such a unique vocal presence that you can't ignore the tracks. Plus, he wears a sleep mask like Michael Scott.
MP3:: The Lodge - Outdoor Miner (Wire cover)
Tomorrow - The TOP 10! With some extra special gems, including one of Canada's most popular artists offering up a Smiths cover.
Labels: Andrew Vincent, Bahamas, Best-of '09, Carolyn Mark, Cousins, Evening Hymns, Reverie Sound Revue, Royal City, The Great Bloomers, The Lodge, The Wooden Sky
Tuesday, December 15, 2009
Favorite-of 09:: Local Releases (5-1)
So, obviously you were on the edge of your seat wondering what 5 releases could possibly top the quality we hit you with yesterday. Well, fear not my friends. Here's the cream of the Hali crop for you to enjoy.
As a special treat, while you digest these gems you can think about some of the fantastic stuff due out next year and start saving cash for new records from DUZHEKNEW, Jon Mckiel, Old Man Luedecke and many more.
Band:: The Sorrys
Album:: Neanderthal Cell Phone
Web:: http://www.myspace.com/thesorrys
Review:: http://www.herohill.com/2009/10/reviews-sorrys-neanderthal-cell-phone.htm
Q1) What was the best musical moment for The Sorrys this year?
Jim - Passion Prince. It’s 2 minutes shorter than Kashmir.
Trevor - Jim’s solo on “Passion Prince.” It’s actually a minute and thirty-seven seconds.
Q2) As a music fan on the other side of 30, I find the music you guys make very refreshing. Not only does it make me want to get up and move, it takes the position that the best days aren't still behind us. You guys all have day jobs and have settled into "real" life but keep on rocking. What keeps you writing and playing shows?
Jim - It’s our church. I can’t help but psychologize, and say that like many other human endeavors (e.g., religion) it’s essentially about staving off the fear of death (but in a fun way!)
Trevor - We feel a deep sense of responsibility for not letting our immense gifts and unrivaled talent lie fallow.
Q3) If The Sorrys had to pick a drink that summed up their music, what would we all be drinking at the show?
Jim - Ten-Penny.
Trevor - Weer.
Q4) If you could offer your spot on the Best-of List to any band, who would get the nod?
Jim - Doug Mason
Trevor - Fuck that. What if you agreed with me? Then we’re fucked.
Q5) Most of Halifax agrees that a Sorrys show is one not to miss. That being said, covers are a huge part of the live experience. If you had the chance to hear any band cover a Sorrys song, what band and what song?
Jim - Ronnie James Dio doing Achievement Races
Trevor - That’s so true about Halifax. I do appreciate the kind words though. I’d have to say Celine Dion doing “Restaurant.” There’s something about her genuine lack of artifice and inherent earthiness. I think she’d bring the song to life without risk of it coming off overwrought.
Q6) For any of our readers that have never been to Halifax and might potentially end up here for a few days, what are the three "must-do" things you would recommend fill their itinerary?
Jim - Take the ferry. Go to Agricola Street.Have some good Middle Eastern food.
Trevor - Gap, McDonalds and Future Shop. Try to hit all three. But definitely Future Shop.
As a special treat, here are a couple of unmixed demos from the upcoming Sorrys release. They sound awesome and haven't even been mixed folk, so ah... yeah, 2010 = year of The Sorrys.
Band:: York Redoubt
Album:: S/T
Web:: http://www.myspace.com/yorkredoubt
Review:: http://www.herohill.com/2009/08/reviews-york-redoubt-self-titled.htm
Sadly, York Redoubt continues the tradition of me getting behind a bad just to see it pack it in (ISR last year for example). The youngsters have decided to go their separate ways, but this record was a glimpse at the talent they possess.
Band:: Cousins
Album:: Out on Town
Web:: http://www.myspace.com/cousinscousins
Review:: http://www.herohill.com/2009/08/reviews-cousins-out-on-town.htm
Q1) What was the most important music moment for you in '09?
The most important musical moment was many moments. We did a tour from halifax to windsor on and we got to play with some very fine acts, some of our favorites. Play Guitar, Special Noise, Shotgun Jimmie, Emma Mckenna. We had a really great showcase at Pop Montreal with Fall Horsie, Omon Ra and Play Guitar, it was a really great way to end the tour and also a positive experience to keep us going.
Q2) What prompted you to transition from A Helpful Diagram into a full fledged band?The transition from Helpful Diagram to Cousins came out of a frustration. Performing solo, i felt as though i was not able to actualize the songs the way i thought that they could be. I was trying to take the songs places on stage that i wasn't able to do on my own.
After recording the album by myself, I was able to place all the instruments in a way that i wanted them to be performed. Obviously I needed to form a band to perform what i had done on the recording. The change ended up being bigger than anticipated. As a band we agreed to change the name and start fresh. In a way, for better or for worse, we've kind of left the album behind. Some of the songs have changed so much with the new members that i wiash we could go back in time and change things around on the recording.
Q3) If you had to he chance to tell music lovers across Canada the best thing about the Halifax scene, what would you say?
the best thing about the halifax music scene? there is a lot of local talent, and we have to work really hard to get things done. I like to think that we're tough here, we don't get a lot of support from industries and government, the venues suck, the money is awful, but we keep trying, working hard and helping each other out.
Q4) What's next for Cousins?
Next up for cousins. We're trying to plan for more tours. One across canada, one in europe, some of those states too. We're writing new material and trying it out in shows, planning to go into the studio as a band for the first time this winter.
Q5) Did you grab your band name from the convenience store/restaurant in the North End?
Cousins the band name comes from: keeping it simple, succinct, wanting to careful in our use of poetry, and patronizing phrases. So yes, i guess you could say that we did get the name from the restaurant.
Q6) If you had the chance to pick one band to take your place on our Best-of List, who would you pick?
A band to replace us? i'm not sure who's on the list or who counts in the contest. I'd say RoomDoom, Play Guitar, York Redoubt, I hope they're on the list.
Now, how about a new track from Cousins. They recorded a nice basement session this weekend and hit us off properlike with a punchy, rough little gem titled Nans. Here are the details - written by aaron mangle & pat ryan. Aaron Mangle: guitar, vocals, drums, percussion. Pat Ryan: bass, percussion
Band:: The Lodge
Album:: Take That Devil
Web:: www.myspace.com/thelodgeband
Review:: http://www.herohill.com/2009/03/reviews-lodge-take-that-devil.htm
Q1) What was your best musical moment of '09?
We played a ckdu benefit and we did good, i have never felt that much freedom, elasticity, and fun in any band i have been involved in...i felt like we finally got to the place i have been trying to get to since i was 12 years old playing a 25 dollar guitar plugged into a radio, it took a long time.
Q2) What motivated you to get this "supergroup" together and start recording songs?
Cliff and andrew were in neuseiland. we a late 90's band that ripped off can, giant sand, and the lips... these guys are long term collaborators with super even temperaments and an ability to put up with my whimsy and general flakiness. cliff and i dont have to talk about anything ever...we just play and it works most of the time. weird. andrew can learn anything super fast and is a very creative guy. mike o is one of my favourite singers period and i really enjoy working with him. it just seemed to work out, it was weird. the fact that we have one singer, one guitar, bass and drums makes it relatively easy to get stuff together and chase what we are now calling the ultimate freedom rock buzz. when you are doing what you do naturally and lock into it. i know we have a ways to go but i really enjoy this band. we click, it's not an easy thing to find.
Q3) As a first hand witness that's seen how the Halifax scene has changed over the last 10-15 years must be pretty shocking. What's the biggest difference/benefit to the new internet saturated model and do you ever wonder how the increased exposure bands get so early on in their careers would have helped your old bands?
The internet has leveled the playing field in a way that you cant always tell the lifers from the dabblers. we are inundated with stuff,some is awesome, some is careerist and samey. by careerist i mean people too conscious of what is cool, pitchforky type shit. ian mcgettigan wore all those clothes and shaved stripes in his head for a reason.
A record purchase used to require research, money, and a leap of faith, partially based on the cover art, but the halifax explosion bands got insane exposure because of the whole sloan mini seattle thing...way more than anyone is getting now. i remember looking at the year end national chart in 97 and superfriendz were number 2 after pavement. insane. it was a different time. people were turning down record deals.
Q4) What's next for The Lodge? Was Take That Devil a one off, or are you going to keep playing and recording?
We have 5 bed trax done for the next cd, classes for cutups. a little heavier, a little more concise. trying to rip off keith levene from PIL as much as possible.
Q5) If you had to pick one band to take your place on our Best-of list, who would take your spot?
So many but this is off the top of the dome. york redoubt --- astonishing promisey sonic youths. melody and originality and they can rock. i hope they dont give up. dreamsploitation. chuck blazevic is a real musical genius, i dont know why more people dont know about this guy. check it out. But the people who are getting tons of attention deserve it...jenn grant, old man, rose, myles, etc. the plaskett record is a staggering achievement. making one solo album is hard enough. silver made three. trevor millett from the sorry's is one of the best lyricists around. Matt Charlton, has some songs. The unreleased matt mays record on my computer is no joke. play guitar ...xian simmons. Oh yeah, garrett mason is amazing.
Band:: Joel Plaskett
Album:: Three
Web:: http://www.joelplaskett.com
Review:: http://www.herohill.com/2009/03/contest-win-three-signed-copies-of-joel.htm
Honestly, we've said so much about Joel this year, there's not much left to say. Another email interview would just confirm what you already know; Joel's a great guy that deserves the attention he gets. That includes a Polaris Short list nod, Verge artist of the year nomination, and more ECMA's than a plumber's got pliers... Throw in the fact he started a vinyl singles collection and 2010 = Thrush Hermit reunion and well you see he never sits still.
As a special treat, while you digest these gems you can think about some of the fantastic stuff due out next year and start saving cash for new records from DUZHEKNEW, Jon Mckiel, Old Man Luedecke and many more.
Album:: Neanderthal Cell Phone
Web:: http://www.myspace.com/thesorrys
Review:: http://www.herohill.com/2009/10/reviews-sorrys-neanderthal-cell-phone.htm
Q1) What was the best musical moment for The Sorrys this year?
Jim - Passion Prince. It’s 2 minutes shorter than Kashmir.
Trevor - Jim’s solo on “Passion Prince.” It’s actually a minute and thirty-seven seconds.
Q2) As a music fan on the other side of 30, I find the music you guys make very refreshing. Not only does it make me want to get up and move, it takes the position that the best days aren't still behind us. You guys all have day jobs and have settled into "real" life but keep on rocking. What keeps you writing and playing shows?
Jim - It’s our church. I can’t help but psychologize, and say that like many other human endeavors (e.g., religion) it’s essentially about staving off the fear of death (but in a fun way!)
Trevor - We feel a deep sense of responsibility for not letting our immense gifts and unrivaled talent lie fallow.
Q3) If The Sorrys had to pick a drink that summed up their music, what would we all be drinking at the show?
Jim - Ten-Penny.
Trevor - Weer.
Q4) If you could offer your spot on the Best-of List to any band, who would get the nod?
Jim - Doug Mason
Trevor - Fuck that. What if you agreed with me? Then we’re fucked.
Q5) Most of Halifax agrees that a Sorrys show is one not to miss. That being said, covers are a huge part of the live experience. If you had the chance to hear any band cover a Sorrys song, what band and what song?
Jim - Ronnie James Dio doing Achievement Races
Trevor - That’s so true about Halifax. I do appreciate the kind words though. I’d have to say Celine Dion doing “Restaurant.” There’s something about her genuine lack of artifice and inherent earthiness. I think she’d bring the song to life without risk of it coming off overwrought.
Q6) For any of our readers that have never been to Halifax and might potentially end up here for a few days, what are the three "must-do" things you would recommend fill their itinerary?
Jim - Take the ferry. Go to Agricola Street.Have some good Middle Eastern food.
Trevor - Gap, McDonalds and Future Shop. Try to hit all three. But definitely Future Shop.
As a special treat, here are a couple of unmixed demos from the upcoming Sorrys release. They sound awesome and haven't even been mixed folk, so ah... yeah, 2010 = year of The Sorrys.
MP3:: The Sorrys - Sitting Duck (demo)
MP3:: The Sorrys - Passion Prince (demo)
Band:: York RedoubtAlbum:: S/T
Web:: http://www.myspace.com/yorkredoubt
Review:: http://www.herohill.com/2009/08/reviews-york-redoubt-self-titled.htm
Sadly, York Redoubt continues the tradition of me getting behind a bad just to see it pack it in (ISR last year for example). The youngsters have decided to go their separate ways, but this record was a glimpse at the talent they possess.
Band:: CousinsAlbum:: Out on Town
Web:: http://www.myspace.com/cousinscousins
Review:: http://www.herohill.com/2009/08/reviews-cousins-out-on-town.htm
Q1) What was the most important music moment for you in '09?
The most important musical moment was many moments. We did a tour from halifax to windsor on and we got to play with some very fine acts, some of our favorites. Play Guitar, Special Noise, Shotgun Jimmie, Emma Mckenna. We had a really great showcase at Pop Montreal with Fall Horsie, Omon Ra and Play Guitar, it was a really great way to end the tour and also a positive experience to keep us going.
Q2) What prompted you to transition from A Helpful Diagram into a full fledged band?The transition from Helpful Diagram to Cousins came out of a frustration. Performing solo, i felt as though i was not able to actualize the songs the way i thought that they could be. I was trying to take the songs places on stage that i wasn't able to do on my own.
After recording the album by myself, I was able to place all the instruments in a way that i wanted them to be performed. Obviously I needed to form a band to perform what i had done on the recording. The change ended up being bigger than anticipated. As a band we agreed to change the name and start fresh. In a way, for better or for worse, we've kind of left the album behind. Some of the songs have changed so much with the new members that i wiash we could go back in time and change things around on the recording.
Q3) If you had to he chance to tell music lovers across Canada the best thing about the Halifax scene, what would you say?
the best thing about the halifax music scene? there is a lot of local talent, and we have to work really hard to get things done. I like to think that we're tough here, we don't get a lot of support from industries and government, the venues suck, the money is awful, but we keep trying, working hard and helping each other out.
Q4) What's next for Cousins?
Next up for cousins. We're trying to plan for more tours. One across canada, one in europe, some of those states too. We're writing new material and trying it out in shows, planning to go into the studio as a band for the first time this winter.
Q5) Did you grab your band name from the convenience store/restaurant in the North End?
Cousins the band name comes from: keeping it simple, succinct, wanting to careful in our use of poetry, and patronizing phrases. So yes, i guess you could say that we did get the name from the restaurant.
Q6) If you had the chance to pick one band to take your place on our Best-of List, who would you pick?
A band to replace us? i'm not sure who's on the list or who counts in the contest. I'd say RoomDoom, Play Guitar, York Redoubt, I hope they're on the list.
Now, how about a new track from Cousins. They recorded a nice basement session this weekend and hit us off properlike with a punchy, rough little gem titled Nans. Here are the details - written by aaron mangle & pat ryan. Aaron Mangle: guitar, vocals, drums, percussion. Pat Ryan: bass, percussion
MP3:: Cousins - Nans
Band:: The LodgeAlbum:: Take That Devil
Web:: www.myspace.com/thelodgeband
Review:: http://www.herohill.com/2009/03/reviews-lodge-take-that-devil.htm
Q1) What was your best musical moment of '09?
We played a ckdu benefit and we did good, i have never felt that much freedom, elasticity, and fun in any band i have been involved in...i felt like we finally got to the place i have been trying to get to since i was 12 years old playing a 25 dollar guitar plugged into a radio, it took a long time.
Q2) What motivated you to get this "supergroup" together and start recording songs?
Cliff and andrew were in neuseiland. we a late 90's band that ripped off can, giant sand, and the lips... these guys are long term collaborators with super even temperaments and an ability to put up with my whimsy and general flakiness. cliff and i dont have to talk about anything ever...we just play and it works most of the time. weird. andrew can learn anything super fast and is a very creative guy. mike o is one of my favourite singers period and i really enjoy working with him. it just seemed to work out, it was weird. the fact that we have one singer, one guitar, bass and drums makes it relatively easy to get stuff together and chase what we are now calling the ultimate freedom rock buzz. when you are doing what you do naturally and lock into it. i know we have a ways to go but i really enjoy this band. we click, it's not an easy thing to find.
Q3) As a first hand witness that's seen how the Halifax scene has changed over the last 10-15 years must be pretty shocking. What's the biggest difference/benefit to the new internet saturated model and do you ever wonder how the increased exposure bands get so early on in their careers would have helped your old bands?
The internet has leveled the playing field in a way that you cant always tell the lifers from the dabblers. we are inundated with stuff,some is awesome, some is careerist and samey. by careerist i mean people too conscious of what is cool, pitchforky type shit. ian mcgettigan wore all those clothes and shaved stripes in his head for a reason.
A record purchase used to require research, money, and a leap of faith, partially based on the cover art, but the halifax explosion bands got insane exposure because of the whole sloan mini seattle thing...way more than anyone is getting now. i remember looking at the year end national chart in 97 and superfriendz were number 2 after pavement. insane. it was a different time. people were turning down record deals.
Q4) What's next for The Lodge? Was Take That Devil a one off, or are you going to keep playing and recording?
We have 5 bed trax done for the next cd, classes for cutups. a little heavier, a little more concise. trying to rip off keith levene from PIL as much as possible.
Q5) If you had to pick one band to take your place on our Best-of list, who would take your spot?
So many but this is off the top of the dome. york redoubt --- astonishing promisey sonic youths. melody and originality and they can rock. i hope they dont give up. dreamsploitation. chuck blazevic is a real musical genius, i dont know why more people dont know about this guy. check it out. But the people who are getting tons of attention deserve it...jenn grant, old man, rose, myles, etc. the plaskett record is a staggering achievement. making one solo album is hard enough. silver made three. trevor millett from the sorry's is one of the best lyricists around. Matt Charlton, has some songs. The unreleased matt mays record on my computer is no joke. play guitar ...xian simmons. Oh yeah, garrett mason is amazing.
MP3:: The Lodge - Outdoor Miner (Wire cover)
Album:: Three
Web:: http://www.joelplaskett.com
Review:: http://www.herohill.com/2009/03/contest-win-three-signed-copies-of-joel.htm
Honestly, we've said so much about Joel this year, there's not much left to say. Another email interview would just confirm what you already know; Joel's a great guy that deserves the attention he gets. That includes a Polaris Short list nod, Verge artist of the year nomination, and more ECMA's than a plumber's got pliers... Throw in the fact he started a vinyl singles collection and 2010 = Thrush Hermit reunion and well you see he never sits still.
Labels: Best-of '09, Cousins, Halifax, Joel Plaskett, Music, The Lodge, The Sorrys, York Redoubt
Tuesday, August 25, 2009
Local Yocals:: My Favorite NS releases of '09
With CBC threatening to cancel the 5 PM airing of the Simpson, it only seems fitting that I run a Simpsons inspired "clip-show" style post trying to bring some shine to local artists. It's been an impressive year already and with Rich Aucoin, Jon McKiel and Ruth Minnikin all holding finished records in their respective vaults, we obviously aren't done yet.
Obviously, record like Joel Plaskett, Classified and Jenn Grant would be standing high on this list, but if you are from Halifax and reading a music blog, chances are you already have an opinion on both. So here are 10 others that you should check out. Don't agree? Think Kestrels or Klarka Weinwurm should have made the list (they were close)? What about Quake's mixtape or the upcoming Hemingways LP? Well, let us know what we've missed or why we are wrong.
10) Gypsophilia - Sa-ba-da-OW!
web || Review
Their songs are still playful, as they balance tension, drama and whimsy nicely, but for some reason Sa-ba-da-OW! seems to have a stronger heartbeat and a more enriched soul.
Over the course of 11 songs they revisit traditional and familiar sounds (Jewish Dance Party and Legs Bounce for example), but it's the experiments with more soulful grooves (like the out of nowhere reggae tinged treat, You Make Time or the funk filled Sa-ba-da-OW) percussion and a willingness to stretch the borders and boundaries of timeless influences that makes this record work.
9) Steven Bowers - Circadian Anthems
myspace || MP3 - Comfortably Sweet ft. Christina Martin || Review
Bowers is an incredibly talented song writer, creating emotions and characters detailed as chapters in a book - on the atmospheric, piano Sleeping Dogs, Bowers takes the listener back to a small town and painful memories he can't discard - but it’s the arrangements he chooses that really set the tone. On the stellar Sewing Machines, he and Dale Murray harmonize over Brian Murray’s banjo, but he’s just as comfortable on the more muscular riffs of Circadian Anthem and The Hardest Thing.
But it’s the two closing tracks that really grab me on this effort. Comfortably Sweet relies on little more than an acoustic, Dale’s beautiful pedal work (and a gentle hint of mandolin) and a perfect vocal pairing with Christina Martin. It’s really the only “singer/songwriter” track on the EP and Bowers lets his words and their voices say all that needs to be said and the emotion filled track flows nicely into the full band closer, Your Life as a Piano.
8) Prospector's Union - Syracuse
myspace || MP3 - Old Wonders || Review
Matt finally finished recording Syracuse and is ready to release it to the world. Although Charlton may listen to a collection of stripped down, no nonsense artists (Townes, Mark Kozalek) this “home” recording is remarkably lush and defined. With support from the likes of Christina Martin, Daniel Ledwell, John Mullane, Andrew Sisk, Jason MacIsaac, Kinley Dowling, and David Casey, Syracuse plays more like a studio odyssey than a local, independent release.
More importantly, even with all the expert production and contributors, Charlton puts himself front and centre. With only a few picked notes, echoing subtle drums and Christina Martin's harmonies, Flaming Death is dark, but engaging. Over time, Ledwell’s steel work and MacIssac’s atmospheric keys are added and echo in the emptiness of the song, taking some of the weight off the harrowing tale, but it's Charlton's voice that grabs your ear. Even with the talent that surrounds him and the layers that move in and out of the song, he never fades to the background.
7) Doug Mason - Fox Pirate
myspace || Review
I mean, being honest, Doug isn't going to win a Juno for his songwriting (then again, does anyone good win Junos? HI-O!!!), but his songs are fun, and pretension-free, and they've won me over. Well it also helps that they're also mighty catchy (I honestly still have no clue what Ranchus And Ryukins is about, goldfish maybe? But it was stuck in my head for a few days), and well made (there are plenty of welcome little touches to be found, like the backwards-sounding guitar on the outro to It's True This Time). As on his previous releases, Doug recruited some of his musically inclined friends (Cliff Gibb, Jarrett Murphy, and Dave Chisholm) to help him on the record, but all the recording and mixing was done by Doug in his home studio, also dubbed Poutine Village.
6) Cousins - Out On Town
myspace || MP3 - Jon Schehr 32 || Review
Aaron Mangle seems like a pretty unassuming dude, but with the support of his new band, his songs leave a mark. Out on Town is a debut record – 10 songs, a few stumbles, but moments of brilliance that make bloggers and critics giddy – and it’s already one of my favorite local releases of the year. The folk scene here is producing some high quality acts. So is the noise scene, but Cousins is the only band I’ve stumbled on that combines the two. Aggressive, truncated strums and distorted notes give the songs life, but the melancholic, brooding pace and Mangle’s falsetto give the songs a warming glow. He manages to sound unique and interesting, but completely accessible at the exact same time.
5) Something Good - Just Add Water
myspace || MP3 - Did That || Review
If anything, Shane is willing to give any local hip hop artist a fair shake, but rarely does he get blow away. One quick read of his take on Markit and Boy-Ill's newest long player shows that not only is hip hop not dead, The Hali scene can hold its own against the bigger cities across Canada.
Tell me something good. For most, that sentence brings to mind a sultry entreaty from Chaka and her friends Rufus, but if you're a hip hop fan of a certain vintage (like myself), it can also serve as a plea to many of today's hip hop artists, who all too often deliver something quite the opposite of good. But all is far from lost where hip hop is concerned, and we can be thankful that hip hop's next generation still contains folks like the four dedicated lads in the Halifax/Montreal collective, Something Good.
4) Caledonia - We Are America
myspace || MP3 - We Are America || Review
We can often be heard stripping the humor (and originality) from the memorable South Park bit as we chant along with the angry mob – “blame Dubya! ” I’m pretty sure Caledonia didn't specifically wanted to move towards politically charged tracks, but there is no doubt they wanted us to start looking inward. The record is a collection of personal songs, chock full of heavy subject matter coming from the experiences of each band member. As opposed to nationalistic pride or delusion, Caledonia focuses on the events that rip us all apart; death, growing older, uncertainty, leaving home and wanting nothing more than to return.
3) The Got To Get Got - Sahalee
myspace || MP3 - Rattle Off || Review
I had high expectations for the record and The Got To Get Got easily Fosbury flopped over the bar. They also managed to supplement the local talent with some of the best musicians we have in the Canadian scene (members of Ohbijou, Plants & Animals, Sebastien Granger & The Mountains and the lovely Angela Desveaux) without disrupting the sound the band creates. If fact, without liner notes I doubt even the most devout fan could highlight the exact moments when the "ringers" help out.
2) York Redoubt - York Redoubt
myspace || MP3 - I Said Slightly || Review
I know. I know. I just reviewed this yesterday, but the beautiful combination of noise, melody, shock, and chaos remind you why I love music. These guys have the spirit, energy AND talent of the great 90's scene, but don't sound dated or fabricated. This one is a must have folks and also shows that noyes records is delivering the goods.
1) The Lodge - Take That Devil
myspace || MP3 - Forget the Silence || Review
It’s no secret that 95% of the shit we post on is never going to be popular or embraced by the masses – but if playing fields were equal a post on Halifax’s newest super group, The Lodge, would get us as much traffic as a 7 year old Outkast song. The Lodge is a classic indie rock outfit comprised of some of the seasoned vets of the Hali scene: Mike O’Neil (The Inbreds), Charles Austin (Superfriendz), Cliff Gibb (Thrush Hermit) and Andrew Glencross (Neuseiland and The Euphonic).
I could try to come up with a fresh description of their sound, but when Shane talked about them last year, he hit the nail on the head:
Obviously, record like Joel Plaskett, Classified and Jenn Grant would be standing high on this list, but if you are from Halifax and reading a music blog, chances are you already have an opinion on both. So here are 10 others that you should check out. Don't agree? Think Kestrels or Klarka Weinwurm should have made the list (they were close)? What about Quake's mixtape or the upcoming Hemingways LP? Well, let us know what we've missed or why we are wrong.
web || Review
Their songs are still playful, as they balance tension, drama and whimsy nicely, but for some reason Sa-ba-da-OW! seems to have a stronger heartbeat and a more enriched soul.
Over the course of 11 songs they revisit traditional and familiar sounds (Jewish Dance Party and Legs Bounce for example), but it's the experiments with more soulful grooves (like the out of nowhere reggae tinged treat, You Make Time or the funk filled Sa-ba-da-OW) percussion and a willingness to stretch the borders and boundaries of timeless influences that makes this record work.
myspace || MP3 - Comfortably Sweet ft. Christina Martin || Review
Bowers is an incredibly talented song writer, creating emotions and characters detailed as chapters in a book - on the atmospheric, piano Sleeping Dogs, Bowers takes the listener back to a small town and painful memories he can't discard - but it’s the arrangements he chooses that really set the tone. On the stellar Sewing Machines, he and Dale Murray harmonize over Brian Murray’s banjo, but he’s just as comfortable on the more muscular riffs of Circadian Anthem and The Hardest Thing.
But it’s the two closing tracks that really grab me on this effort. Comfortably Sweet relies on little more than an acoustic, Dale’s beautiful pedal work (and a gentle hint of mandolin) and a perfect vocal pairing with Christina Martin. It’s really the only “singer/songwriter” track on the EP and Bowers lets his words and their voices say all that needs to be said and the emotion filled track flows nicely into the full band closer, Your Life as a Piano.
myspace || MP3 - Old Wonders || Review
Matt finally finished recording Syracuse and is ready to release it to the world. Although Charlton may listen to a collection of stripped down, no nonsense artists (Townes, Mark Kozalek) this “home” recording is remarkably lush and defined. With support from the likes of Christina Martin, Daniel Ledwell, John Mullane, Andrew Sisk, Jason MacIsaac, Kinley Dowling, and David Casey, Syracuse plays more like a studio odyssey than a local, independent release.
More importantly, even with all the expert production and contributors, Charlton puts himself front and centre. With only a few picked notes, echoing subtle drums and Christina Martin's harmonies, Flaming Death is dark, but engaging. Over time, Ledwell’s steel work and MacIssac’s atmospheric keys are added and echo in the emptiness of the song, taking some of the weight off the harrowing tale, but it's Charlton's voice that grabs your ear. Even with the talent that surrounds him and the layers that move in and out of the song, he never fades to the background.
myspace || Review
I mean, being honest, Doug isn't going to win a Juno for his songwriting (then again, does anyone good win Junos? HI-O!!!), but his songs are fun, and pretension-free, and they've won me over. Well it also helps that they're also mighty catchy (I honestly still have no clue what Ranchus And Ryukins is about, goldfish maybe? But it was stuck in my head for a few days), and well made (there are plenty of welcome little touches to be found, like the backwards-sounding guitar on the outro to It's True This Time). As on his previous releases, Doug recruited some of his musically inclined friends (Cliff Gibb, Jarrett Murphy, and Dave Chisholm) to help him on the record, but all the recording and mixing was done by Doug in his home studio, also dubbed Poutine Village.
myspace || MP3 - Jon Schehr 32 || Review
Aaron Mangle seems like a pretty unassuming dude, but with the support of his new band, his songs leave a mark. Out on Town is a debut record – 10 songs, a few stumbles, but moments of brilliance that make bloggers and critics giddy – and it’s already one of my favorite local releases of the year. The folk scene here is producing some high quality acts. So is the noise scene, but Cousins is the only band I’ve stumbled on that combines the two. Aggressive, truncated strums and distorted notes give the songs life, but the melancholic, brooding pace and Mangle’s falsetto give the songs a warming glow. He manages to sound unique and interesting, but completely accessible at the exact same time.
myspace || MP3 - Did That || Review
If anything, Shane is willing to give any local hip hop artist a fair shake, but rarely does he get blow away. One quick read of his take on Markit and Boy-Ill's newest long player shows that not only is hip hop not dead, The Hali scene can hold its own against the bigger cities across Canada.
Tell me something good. For most, that sentence brings to mind a sultry entreaty from Chaka and her friends Rufus, but if you're a hip hop fan of a certain vintage (like myself), it can also serve as a plea to many of today's hip hop artists, who all too often deliver something quite the opposite of good. But all is far from lost where hip hop is concerned, and we can be thankful that hip hop's next generation still contains folks like the four dedicated lads in the Halifax/Montreal collective, Something Good.
myspace || MP3 - We Are America || Review
We can often be heard stripping the humor (and originality) from the memorable South Park bit as we chant along with the angry mob – “blame Dubya! ” I’m pretty sure Caledonia didn't specifically wanted to move towards politically charged tracks, but there is no doubt they wanted us to start looking inward. The record is a collection of personal songs, chock full of heavy subject matter coming from the experiences of each band member. As opposed to nationalistic pride or delusion, Caledonia focuses on the events that rip us all apart; death, growing older, uncertainty, leaving home and wanting nothing more than to return.
myspace || MP3 - Rattle Off || Review
I had high expectations for the record and The Got To Get Got easily Fosbury flopped over the bar. They also managed to supplement the local talent with some of the best musicians we have in the Canadian scene (members of Ohbijou, Plants & Animals, Sebastien Granger & The Mountains and the lovely Angela Desveaux) without disrupting the sound the band creates. If fact, without liner notes I doubt even the most devout fan could highlight the exact moments when the "ringers" help out.
myspace || MP3 - I Said Slightly || Review
I know. I know. I just reviewed this yesterday, but the beautiful combination of noise, melody, shock, and chaos remind you why I love music. These guys have the spirit, energy AND talent of the great 90's scene, but don't sound dated or fabricated. This one is a must have folks and also shows that noyes records is delivering the goods.
myspace || MP3 - Forget the Silence || Review
It’s no secret that 95% of the shit we post on is never going to be popular or embraced by the masses – but if playing fields were equal a post on Halifax’s newest super group, The Lodge, would get us as much traffic as a 7 year old Outkast song. The Lodge is a classic indie rock outfit comprised of some of the seasoned vets of the Hali scene: Mike O’Neil (The Inbreds), Charles Austin (Superfriendz), Cliff Gibb (Thrush Hermit) and Andrew Glencross (Neuseiland and The Euphonic).
I could try to come up with a fresh description of their sound, but when Shane talked about them last year, he hit the nail on the head:
“One chunk, riff filled rocker after another.”
Labels: Caledonia, Cousins, Doug Mason, Gypsophila, Halifax, Music, Prospectors Union, Something Good, Steven Bowers, The Got to Get Got, The Lodge, York Redoubt
